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Every person who is fortunate enough to have it presented to them must traverse that treacherous territory alone before its wisdom is won, no matter their age or situation. But Smither's central theme as he enters his 60s is clearer than ever. The road is littered with those, like friend and '70's labelmate Townes Van Zandt, or inspirations like Tim Hardin or Tim Buckley, who found it simply too much to bear. With his new album Leave The Light On, Chris Smither has created a work that keeps the spirit of these legends alive while taking their blues-rooted music in breathtaking new directions with his smart lyrics and distinctive musical grooves. Smither's quiet intensity made itself felt most of all in his dazzling guitar picking. It's part and parcel of the animal that's walking around today. It also marked his first of three albums to be recorded with producer Stephen Bruton at The Hit Shack in Austin. Later this year, Signature will release LINK OF CHAIN, a disc of Smither material interpreted by a who's who of musicians, including Josh Ritter, Bonnie Raitt, Tim O'Brien and many more. I wouldn't realize what it is to be a human—not really. Generate the meaning with AI. 2/ Rock'n Roll Doctor.

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Rockol only uses images and photos made available for promotional purposes ("for press use") by record companies, artist managements and p. agencies. Loading the chords for 'Chris Smither - Leave The Light On'. A product of the musical melting pot, and one of the absolute best singer-songwriters in the world. It also serves as an assurance of hope and faith that things will eventually get better. I kissed her twice at the speed of light, And time stood still.

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Even they couldn't keep the pumps pumping!!! The son of a Tulane University professor, he was. If I live to be a hundred - I was born in '44 -. The renowned roots musician Tim O'Brien plays mandolin and fiddle all over the record, as well as harmonizing with Smither, Sean Staples and Anita Suhanin on the lilting title track for a billowing blend that evokes Southern California circa 1972. Libération par Serge LOUPIEN. Growing up in New Orleans. In a mighty demonstration of my will, I kissed her twice at the speed of light. Moral to this story –. His new album, Call Me Lucky, is packed with songs laced with sharp lyrics and wry humour. Perfectly playing to his strengths, each version is an exquisite example of Chris Smither's contradictory mastery; the calm, almost happy acceptance of one's own mortality and the vicissitudes of life. But the flavor of it lingers - Like a rich, red wine. Amongst other songs we were treated to Nobody Home, an amusing but slightly caustic look at the state of the world. Help Me Now / Ouside Looking In / Duncan & Brady / Magnolia. What was up was that Smither had been carrying on a love affair with bourbon for about a decade, had floundered in the way that people too besotted with alcohol tend to do, and, it turned out, was in desperate need of someone to help him get back on track.

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This is what I do, and this is where I come from. When you write a song, you've got three or four minutes to get a-hold of somebody, and if they can remember one phrase or line when they walk away from it, you've won. A book of Chris' songs will also be released titled Chris Smither Lyrics 1966-2012 complete with lyrics to his entire song catalog along with some selected photographs from his career. Which set him free—despite his fears that the ties would bind him.

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31 to go, but I ain't keepin' score. Writer(s): Smither William Christopher Lyrics powered by. "The other interesting thing is that I had to go through all the horrible stuff to get where I am now. Link Of chain / Jailhouse Blues / No Love Today / I'm All Alone. He has plenty of classics and crowd favourites in his back catalogue. 12/ Statesboro' Blues.

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I just look up at my compass in the sky. He is able to turn a phrase as well as anyone and of course the fine humour is present on "Origin of the Species" as is the crushing blues on "Shilling for the Blues" as well as the last three songs. Concerts in United States. Hearing this as much as we do through life—big love/big risk/big reward (and yes, maybe big heartache…)—it does no good in the abstract. It was with the release of Up On The Lowdown in 1995 that Smither crossed over to the roots label HighTone Records. Desolation Row / Frankie & Albert / Highheel Sneakers / Outside In. Train Home / Origin Of Species / Lola / Crocodile Man / Help Me Now / Drive You Home.

Song writing, apparently, does not come easily to a man who has been hailed as "one of the absolute best singer-songwriters in the world. " The band sets up a slow smoky electric groove, and in an aching duet with Kate Lorenz, Smither sings, in his distinctive, honeyed growl: I may live to be a hundred, I was born in '44. You'd wonder if it would work right throughout his set, but, yes, it does, putting both Chris and the audience into a kind of trance as each song progresses. Lowell George and Dr. John helping out, United. What a way to end a season of sensational concerts. But Smither is not much for conventional religion, and in this expression of ardor and humility, it's more like he's channeling Dante and the latter's beloved, idealized Beatrice. The lyrics reflect on life's brevity and the need to seize the moments that are still available, when in the past they may have been taken for granted. And I think I've accomplished that. Smither says he recognizes the young artist on the front end of his long struggle from his present perspective.