Other String Instruments. During the Bb major turnaround bars 13-14, every 2 beats Wes is making a chord change and though on beats 3 & 4 of bar 13, I spelled the notes as: D#-E-G#-B as if they were configured as part of an Emaj7 line, but they might been better spelled as Eb-Fb-Ab-Cb and viewed as part of Dbm7 to transit down a 1/2-step to Cm7. To download the sample score click on the link below. The murmur of a brook at eventide. However, as he lands on bar 13 and the Bbmaj7 chord, from the sound of his line, it feels to me as though he's hearing through that change as if it was a G7(alt. ) Wes Montgomery's solo on: "Stella by Starlight"(Victor Young-Ned Washington). The first three who correctly guess the name of the intro song wins the transcript pdf. If you remember back to our original discussion of the chord changes that we have become accustomed to seeing during "Stella by Starlight" and that, at bar 17, in this particular key, we might have expected to see C7#5 (or something like that), instead of Gm7b5-C7.
That's Stella by starlight and not a dream. My heart and I agree. In bars 13-14 over the turnaround in Bb major, it's nice how he negotiates it all, and the sweep/vault up to a high F-natural is really classic Montgomery, though he uncharacteristically clangs an open string by accident. Over the Am7-D7 in bars 25-26 is again pure A Dorian with a couple of nice descending sweeps in bar 26. As the chord changes move through Am7b5-D7(alt. He really doesn't touch down fully in G minor until he plays a brief arpeggio on beat 3 to vault towards making the Ebm7-Ab7 in bar 12 where he returns to Eb Dorian, but makes such a nice chromatic transition to arrive at a D-natural(3rd) for the Bbmaj7 chord in bar 13. Other Software and Apps. This pdf method for guitar contains fourteen 2 5 1 jazz guitar lines with tab, standard notation, analysis, scale charts and audio files. Most of our scores are traponsosable, but not all of them so we strongly advise that you check this prior to making your online purchase. With the minor ii-V, Gm7b5-C7, he forcefully plays the root(G) on the and-of-2. When I heard the sound of vibes and what seemed to be a quartet setting, I knew that this had to have been something he had done with his brother, Buddy Montgomery. Bosna i Hercegovina. In order to check if 'Stella By Starlight - Bass' can be transposed to various keys, check "notes" icon at the bottom of viewer as shown in the picture below. When he has cadenced to Abmaj7 he ascends using the C minor pentatonic [C, Eb, F, G, Bb] and then descends applying some traditional chromaticism.
Unlock the full document with a free trial! This package contains 120 jazz guitar lines based on diatonic modes as Mixolydian, Dorian and Ionian. As he cadences to Ebmaj7 for bars 23-24, his line begins with a classic pick-up into many maj7th lines, here you have Bb(5th)-C(6th)-D(maj7th)-F(9th). Save Stella by Starlight (Paul Chambers) For Later. In the 1st 2 bars, I still see what he plays in bar 17 as being part of Bb Dorian [Bb, C, Db, Eb, F, G, Ab] over Gm7b5. If you were not familiar with it before, please take a moment and find a way to listen to it in its entirety. That LP is so old, it was actually pressed on blue vinyl, if you can believe that!!! Simply put, it was a spectacular performance. As the 1st half of this chorus ends, over the Dm7b5-G7(alt. This item is not eligible for discounts. This immediately striking to me because the first version in this other key that comes mind is by Grant Green and organist Larry Young and appears on the wonderful album, " I WANT TO HOLD YOUR HAND "(Blue Note) which also features: Hank Mobley(tenor sax) and Elvin Jones(drums). I have to share with you all that perhaps my all-time favorite version of "Stella by Starlight" appears on John's 1988 live recording " JOHN ABERCROMBIE/MARC JOHNSON/PETER ERSKINE "(ECM).
Examine the notes, as it really sounds great, especially because he avoids playing an Ebs(4th). Stock per warehouse. You will find in this booklet 25 easy jazz guitar lines with theory using common and rare pentatonic scales. View more Wind Instruments. Click playback or notes icon at the bottom of the interactive viewer and check if "Stella By Starlight - Bass" availability of playback & transpose functionality prior to purchase. PUBLISHER: Hal Leonard. PRODUCT TYPE: Part-Digital. Share this document. Then the brief sequence of m7b5 ii-Vs begins with Gm7b5-C7(alt. ) Over the Fm7, he employs the expected notes from F Dorian with no chromaticism at all. The style of the score is 'Film/TV'. When improvising, even a great master like Wes can make a small error, so in the end, to me, it's more important to present what the idea probably was. Heading towards resolution on Fm7, Wes plays a simple but classic line that includes the b9(Db).
Anticipating the chord and the section by again playing a Db on the and-of-4 of the previous bar, even though he only plays Db and Ab over the Gm7b5, this still feels like relating to the chord by using Bb Dorian. Live At The Alhambra/1961. Everything you want to read. Posters and Paintings. View more Books about Music. Choral Instrumental Rhythm Pak. View more Controllers. It's always important to notice that, over the Ebmaj7 chord Wes' lines add a touch of grease as he slides into the 3rd(G-natural) each time. Video transcription from Jim Hall's amazing beautiful solo on Stella By Starlight from his debut album Jazz Guitar (1957).
As the first of the minor ii-Vs arrives, Again, over the C7(alt. ) But here, instead playing in a purely diatonic fashion he employs the Bb 1/2-tone/whole-tone diminished scale [Bb, B, Db, D, E, F, G, Ab]. Stella By Starlight - Israel Crosby Full Bass Line. This composition for Choir Instrumental Pak includes 4 page(s). View more Pro Audio and Home Recording. He is credited with taking the first recorded bass solo on his 1935 recording of "Blues of Israel" with drummer Gene Krupa (Prestige PR 7644) when he was only 16. This score was originally published in the key of. That ripples by a nook where two lovers hide. If it colored white and upon clicking transpose options (range is +/- 3 semitones from the original key), then Stella By Starlight - Bass can be transposed. This printable PDF method provides 101 dominant arpeggio exercises with tab, theory and standard notation for the jazz, blues and rock guitarist.
View more Percussion and Drum Accessories. From there the conversation and the interplay grows deeper. View more Edibles and Other Gifts. In bars 5-8, as we have a ii-V-I to Abmaj7, you could view the entirety of the first 3 bars as being in Ab major [Ab, Bb, C, Db, Eb, F, G] and not approaching each chord individually.
From there, in bars 19-20, he ascends using F Dorian over Fm7. Then, just playing a simple E-natural, the 3rd of C7 that clearly defines the arrival of that chord. I think that this is a great example of a great player playing was feels comfortable and swingin' and not worrying about whether or not he is repeating himself and constantly inventing new things. Single print order can either print or save as PDF. He is then joined by the ping of Peter's beautiful ride cymbal with Marc Johnson adding conversation touches.
Instant Downloads > Instrumental Instant Downloads. € 0, 00. product(s). INSTRUMENT GROUP: DIGITAL MEDIUM: Official Publisher PDF. You can buy printed sheet music from a number of their approved retailers. Another version that I also love in this alternate key is by McCoy Tyner and appears on his album, " SUPERTRIOS "(Milestone) with Eddie Gomez and Jack DeJohnette.
To me, this is always a can't miss choice using the minor pentatonic built upon the 3rd(G) of the major 7th chord. Tab, standard notation, audio files & analysis. As the years have come and gone, and the CD Era began, those same tracks have been reissued and repackaged several times. I am certain that Wes Montgomery would have loved listening to John's rendition. Cm7 Cm5-/7 G G/F# Em. Report this Document. In bars 15-16, over the Dm7b5-G7 chords, the Ab on beat 1, at least for a moment, signals to me that he's approaching the chord from an F Dorian perspective which is pretty typical for Wes, using the Dorian mode built upon the m3rd of chord. Crosby died of a heart attack at age forty-three, two months after joining the Shearing Quintet.
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