Staring from hexagon ABCDEF, Let B approach Q then H and C coincide to JThen Hexagon ABCDEF become pentagon AQDEF- Diagonal AD will stay the same - Diagonal EB become EQ- Diagonal FC become FJ Per Brianchon's theorem AD, EQ and JF are concurrent at point R ( see sketch)2. A flowchart proof contains a set of sentences explaining the steps needed to reach a conclusion. No, M is not congruent to NLQ.
Which reflection will produce an image with endpoints at ( 4, 1) and ( 1, 4)? Is there a series of rigid transformations that could map ΔQRS to ΔABC? Use the diagram to complete the statement. T'(-1, 2) and V'(0, 3) T'(-1, 2) and V'(0, 1) Question 56 Objective: Find the coordinates of the vertices of an image or pre-image of a dilated polygon given the scale factor. Then AHDQ is a tangential quadrilateral. Line jm intersects line gk at point n is always. Question 82 Objective: Identify characteristics of an isosceles triangle. Which statement is true regarding the 130 angle and angle 3? Their ropes are attached at an angle of 110. Question 34 Objective: Find the coordinates of a point on a directed line segment that partitions the segment into a given ratio.
Chang knows one side of a triangle is 13 cm. Geometry Problem 827: Brianchon Corollary, Circumscribed Hexagon, Concurrency lines. In the diagram, J M and JL MR. Go Geometry (Problem Solutions): Geometry Problem 827: Brianchon Corollary, Circumscribed Hexagon, Concurrency lines. What additional information is needed to show ΔJKL MNR by SAS? Provide step-by-step explanations. If ΔYWZ ~ ΔYXW, what is true about XWZ? 31 square inches 34 square inches 48 square inches 62 square inches Question 5 The law of cosines for RST? If an image of a triangle is congruent to the pre-image, what is the scale factor of the dilation? Gauthmath helper for Chrome.
The diagonal of rectangle ABCD measures 2 inches in length. In the diagram, the length of segment QV is 15 units. Question 104 Objective: Use slope criteria to find additional points on a line parallel or perpendicular to a given line. Acute, because 10 2 +12 2 >15 2 acute, because 12 2 +15 2 >10 2 obtuse, because 10 2 +12 2 >15 2 obtuse, because 12 2 +15 2 >10 2 Question 30 Objective: Apply the converse of the Pythagorean theorem and triangle inequality theorems to solve problems. What is the equation, in slope-intercept form, of the line that is perpendicular to the given line and passes through the point (0, 9)? FHG is congruent to EFD Question 49 Objective: Identify the composition of similarity transformations in a mapping of two triangles. Angle RSU has a measure of 25. Line jm intersects line gk at point n is defined. Triangle DEF is congruent to map DEF onto GHJ? In which figure is point G a centroid? 10)sin(40 o) = AC (10)cos(40 o) = AC = AC = AC Question 18 Triangle ABC is a right triangle and cos(22. Question 154 Objective: Use undefined terms to precisely define parallel lines, perpendicular lines, ray, angle, arc, circle, and line segment. Points A, E, F, and G are points only in plane X.
Units 5 units 6 units Question 160 Objective: Analyze descriptions and diagrams that illustrate basic postulates about points, lines, and planes. BEC is a remote interior angle to exterior BCF. Given JKL, sin(38) equals cos(38). Complementary angles are always also congruent. AB = 25 27 < AB < 81 AB = 85 AB< 27 or AB > 81 Question 92 Objective: Determine the length or parameters for a third side of a triangle given the other two sides. 27 square units 38 square units 364 square units 728 square units Question 4 A kite is made up of two isosceles triangles, KIT and KET, with the lengths shown. The reflexive property ASA AAS the third angle theorem Question 72 Objective: Determine the isometric transformations that would map one triangle onto another triangle given that two pairs of corresponding angles and one pair of corresponding sides are congruent. Question 38 Objective: Identify similar right triangles formed by an altitude and write a similarity statement. 2, 0) (0, 2) (0, 4) (4, 0). Given: ABC is a right angle, DBC is a straight angle Prove: ABC ABD. Line JK bisects LM at point J. Find JM if LJ = 23 centimeters. | Homework.Study.com. Which rigid transformation is required to dilation reflection rotation translation Question 68 Objective: Determine the isometric transformations that would map one triangle onto another triangle given that three corresponding sides are congruent. All angles in a rectangle are right angles. Angle W is greater than angle Y. To prove that the triangles are similar by the SAS similarity theorem, it needs to be shown that Question 48 Objective: Identify the sides and angle that can be used to prove triangle similarity using SSS similarity theorem and SAS similarity theorem.
Could ΔJKL be congruent to ΔXYZ? A line of symmetry will connect the midpoints of 2 opposite sides. Consider the diagram. G is the midpoint of KF 4. given 5. Consider the two triangles. Points R and S are points in both planes X and Y. This would be a common properties for Pole and Polar application. Given the angles in the diagram, who is closer to the treasure chest and why? And {eq}\displaystyle LJ = 23 {/eq} cm. A parallelogram is transformed according to the rule (x, y) (x, y). Round your answer to the nearest tenth. Angle L is a vertex angle and measures 72. Line jm intersects line gk at point n is considered. Given: bisects MRQ; RMS RQS. Question 95 Objective: Calculate the measures of interior and exterior angles of a triangle.
Which reason justifies the statement that KLC is complementary to KJC? Question 24 Objective: Relate trigonometric ratios of similar triangles and the acute angles of a right triangle. Angle RST is a right angle. The parallel wires are labeled a, b, and, c, and the angles are labeled with numbers. When two lines are meeting at a point that is known as an intersection point.
Those surviving zombies raise the question: How long can you live once you have the virus? They emerge into the 20th century, but director Ward shoots our modern world from the eyes of medieval strangers. Some of the undead are driven psychotic by hunger, and scientists are working tirelessly on developing synthetic blood to address the shortages. Available on Amazon Prime, iTunes, Vudu, and YouTube. From there, the world gets bigger and wilder over the course of six movies, in which Milla Jovovich wipes out a lot of monsters and bad guys and mutant crows. If a crowd appears at all, it is as a set of weaklings in need of rescue, or as rubes who can be ignored or kept in the dark, or even as the movie's antagonist — a horde that must be eluded or obliterated. They jump up and down, wave their arms, and hope that this time it will notice them. It echoed again in early May 2020, as health care workers demanding sufficient personal protective equipment, living wages, and regular testing to support their efforts to battle the COVID-19 pandemic instead got a state-sponsored flyover from the Blue Angels. They are facing a cruel situation.
The logic of human disposability is woven into much of the cinema of the last three decades, after the "end of history" and the global triumph of neoliberal capitalism — particularly in movies about zombies, plagues, and apocalypses. We've seen a lot of movies about pathogens turning all of humanity into blood-thirsty zombie creatures, but what if there was a disease that just made everyone go blind in one city? "The people must defend themselves, " Salvador Allende counseled the Chilean people in his farewell address, "but they must not sacrifice themselves… Go forward knowing that, sooner rather than later, the great avenues will open again where free [people] will walk to build a better society. The population of nearly 1 million are suddenly in danger of being wiped out en masse. The 1990s was the peak of teen horror, and The Faculty assembled a buzzy cast — Josh Hartnett, Elijah Wood, Salma Hayek, Clea DuVall, Jon Stewart, and more — for this story of a standard American high school overrun by an alien invasion that turns humans into host drones. Virus is a Japanese movie that goes where more contagion movies should: Antarctica. Those who are infected become violent and sex-crazed, passing along the parasite like an STD.
The comet that killed the dinosaurs passes by Earth again and this time incinerates most of the human race, leaving those partly exposed to roam as extremely New Wave zombies. The powerful figures in these films are engaged in projects that are more important than the lives of those beneath them. Writer and director Danny Boyle changed the zombie genre forever with 28 Days Later, in which a handful of survivors come together a month after a mysterious virus has decimated the U. K. and try to survive long enough to be rescued. A small group of unauthorized people sneak into one of the boats, but nearly capsize it in the process. Those being served by our current system — a bipartisan coalition similar in class character although tonally distinct — are quite used to being asked: may I take your order? That 20-second limit serves three valuable story purposes: (a) It has us counting "12... 11... 10" in our minds at one crucial moment; (b) it eliminates the standard story device where a character can keep his infection secret; and (c) it requires the quick elimination of characters we like, dramatizing the merciless nature of the plague. Here's another novel contagion take: An affliction called The Panic has swept across humanity, causing people to become so severely agoraphobic that they actually die if they are forced outside. Selena, a tough-minded black woman who is a realist, says the virus had spread to France and America before the news broadcasts ended; if someone is infected, she explains, you have 20 seconds to kill them before they turn into a berserk, devouring zombie. The others are threatening to go where they do not belong. The parasite in this South Korean film drives the infected to drown themselves, and when one man's family is infected, he has to do what he can to try and find a cure as the condition spreads across the nation and the government sends the afflicted into quarantine.
The virus quickly spreads to human beings, and when a man named Jim (Cillian Murphy) awakens in an empty hospital and walks outside, he finds a deserted London. If others in the film drown in a tsunami, get tackled by zombies, or succumb to a bloody cough, their deaths carry very little emotional weight, if any. For any hope of recovery, we cannot cede the public square, but rather we must reclaim it — courageously and with care for one another. However, a looming Soviet incursion of the base and the threat of a nuclear missile launch make survival even more tricky than it already is while living at the frozen bottom of the world. There is also a touching scene where she offers Valium to young Hannah. So you won't care as much. "
If humanity lives, they owe it to the very experts responsible for the crisis in the first place. Timothy Olyphant plays the sheriff of a small Iowa town where residents are being transformed into murderous psychos after a nearby plane crash unleashes a toxic virus, and the few uninfected who remain try to escape to safety. Panic in the Streets. It has become cliché to call health care workers our "heroes, " but by invoking the precise label that we give to those we are sending off to die in war, at least we are being honest. Marx once observed that the tradition of dead generations weighs like a nightmare on the brains of the living — and in many zombie movies, they gnaw on those brains, too. The people they feed on then become infected. Witness this early talkie, based on Sinclair Lewis's Pulitzer Prize–winning 1925 novel, which tells the story of an ambitious research scientist who becomes a country doctor to be with the girl of his dreams, then makes a medical breakthrough that eventually leads him to the West Indies to combat a devastating outbreak of bubonic plague. This is an exploitation movie, so of course a scrappy band of survivors has to hightail it out of town amidst explosions, bloody deaths, and an abundance of pulp dialogue. The bourgeoisie has finally conjured its own — and unfortunately, everyone else's — gravediggers. The flu becomes a metaphor for the loss of innocence and the indifference of fate.
This is a zombie movie, yes, but more than that it is about the monotony of survival and the crushing weight of loneliness when you're the only person in a dead world, which is exactly what one man in this movie experiences after he goes to a house party and wakes up to the apocalypse in an apartment building. This intimate contagion movie focuses almost entirely on one woman who is stranded in the Nevada desert right when a zombie infection starts to take hold. These workers — usually women and people of color — have jobs which have been designated as essential. Cargo is one of them, and it stars Martin Freeman as a man in the Australian outback who ends up caring for a child that he must guide to survival. The movie is front-loaded with dread before turning into a chilling sociological study of what everyday people would do during a pretty realistic seeming pandemic. Invasion of the Body Snatchers (1978). To survive, they must learn to work together in a world where they can be their brother's keeper or their brother's reaper.
The contagion in Daybreakers has turned most of the world's population into vampires, and when the human population plummets, that means the new dominant race is short on food. Our hero, Marc, has been trapped in an office building, but sets out to find his girlfriend, and has to do so without ever actually setting foot beyond shelter. But then I'm never satisfied. When a man loses his family to infection, he suits up in homemade armor, armed to the teeth, upgrades his car, and sets out to save his sister in the middle of an exploding epidemic. Available on iTunes. The army imposes martial law and intends on bombing the town to preserve its biological weapon.
The Cassandra Crossing. Eli Roth's first big foray into extreme gore follows a group of 20-somethings on a cabin-in-the-woods trip where everyone's plans for sexy time are interrupted by a flesh-eating disease. Available on iTunes and Shudder. The train is also speeding toward an unstable bridge, but no one on board is being allowed off.
Available on Netflix and Hulu. From COVID-19 to killer cops to climate change, morbid symptoms abound. It's sometimes easy to forget that this classic melodrama, starring a tremendous Bette Davis as a headstrong woman in antebellum New Orleans and a brooding Henry Fonda as her straight-arrow paramour, actually becomes a story about a yellow-fever epidemic. Now streaming on: Activists set lab animals free from their cages--only to learn, too late, that they're infected with a "rage" virus that turns them into frothing, savage killers. I suppose movies like this have to end with the good and evil characters in a final struggle. This involves an extremely improbable sequence in which the taxi seems abler to climb over gridlocked cars in a tunnel, and another scene in which a wave of countless rats flees from zombies.