María Eugenia Cotera, Modern Thought Scholar: Charlotte Osgood Mason also controlled Hurston's expenses. Half of a yellow sun streaming vostfr complet. Lee D. Baker, Anthropologist: Ruth Benedict, Ella Deloria, Margaret Mead, and others became anthropologists under his guidance. Hurston had come home, but her education made her an outsider. Carla Kaplan, Literary Scholar: He didn't write a full scale introduction and treat her work with that kind of seriousness.
Bootleggers always have cars. Okay, you're acting like white people. A year earlier, her friendship with Langston Hughes had ended on very bad terms in part over their collaboration Mule Bone, a comedic play based on one of Hurston's unpublished Eatonville tales. Half of a yellow sun movie. Zora (VO): How much satisfaction can I get from a court order for somebody to associate with me who does not wish me near them? Irma McClaurin, Anthropologist: There were theories that the head sizes of different so-called races is something that was going to be able to tell us more about the level of intelligence, what kind of culture they had. But she could no longer ignore the narrative that had been welling up inside her. She was somebody who could function in almost any milieu.
Irma McClaurin, Anthropologist: It's now what we call autoethnography, because it's rooted in some of what she has lived herself, but also what she's researched in her own community. I know where to look and how. Lee D. Baker, Anthropologist: Zora Neale Hurston did not want to be in another relationship dependent like, um, Charlotte Osgood Mason, so she was like, "Peace out. Irma McClaurin, Anthropologist: It's where Zora steps into the traditional anthropology, where she's studying the other. Narrator: With over 300 guests in attendance, the event was a who's who of the Harlem Renaissance—progressive New Yorkers, Black and white, from the worlds of literature, arts, education and philanthropy. Boas (Archival Footage): The mental characteristics of a race are not an expression of bodily form. And it would drive her father bananas. Watch Zora Neale Hurston: Claiming a Space | American Experience | Official Site | PBS. Chartered by the United States Congress in the late 19th century to educate Black students, Howard University, the nation's largest Black institution of higher education, often was referred to as "the Black Harvard. " I not only want to present the material with all the life and color of my people, I want to leave no loop-holes for the scientific crowd to rend and tear us. She wrote that book in dialect.
Which is not to say the Guggenheims only go to people with doctorates, but it remains an issue to this day: "What kinds of credentials are assumed to have to go along with that kind of recognition? " At her funeral over a hundred people, the vast majority African American, attended. The title was immediately selected for the Book-of-the-Month Club. I think Hurston had a lot of courage to put her ideas out there, but she was also getting older. Lee D. Baker, Anthropologist: We call it in anthropology "thick description, " which is throughout Their Eyes Were Watching God. Lee D. Baker, Anthropologist: Much of the impetus for cultural anthropology, ethnography was called "salvage ethnography. Zora (VO): It seemed that I had suffered a sea change. She's still desperately trying to get enough money to continue her work, and it's slipping through her fingers. Half of a yellow sun streaming vostfr film. Irma McClaurin, Anthropologist: She's also depicting the ways in which people interact. Zora (VO): It destroys my self respect and utterly demoralizes me for weeks. Carla Kaplan, Literary Scholar: Most of the letters in her file are extremely problematic. Lee D. Baker, Anthropologist: That was the authenticity, that was scientifically valid and genuine. María Eugenia Cotera, Modern Thought Scholar: She realized that no one was going to share songs with her or even let her into these incredibly rich spaces where people were exchanging stories and song and card playing games, if she didn't bring something herself to the table. Mason was a profoundly anti-academic person.
A Raisin in the Sun streaming: where to watch online? Lee D. Baker, Anthropologist: Mules and Men was science informed by fiction, and Their Eyes Were Watching God was fiction informed by science because there's very little distinction between the signifying happening on Joe Stark's porch and Joe Clarke's porch. She looks like a Black Annie Oakley. Hurston often wrote Langston Hughes of her work from the road; the pair, with Mason's support, were supposed to be collaborating on a folk opera. The acting, costumes, sets and story are all very fine. There are those who argue that she wasn't authentic, that she didn't tell everything because the notion of an autobiography is that it traces the life from the beginning to the end. It is a memoir, and you get her spirit, you get the feeling of her, her life. Irma McClaurin, Anthropologist: That speaks to her belief that there was value in the way that Cudjo had created his own form of communication, that value did not need to be diluted, or translated for a white audience. Mason paid Hurston's theater bills and came through with six dollars for the new shoes, money for a one-way ticket and $75 in spending money. Irma McClaurin, Anthropologist: It's also the period of time where she's falsely accused of having improper relations with a minor. "But I have lost all my zest for a doctorate. She, uh, wanted to see what was going on at the store. That is not for me to know.
She was not somebody who could work well for very long for anybody else. Tiffany Ruby Patterson, Historian: I think she said, "It is difficult to discuss what the soul lives by. " Narrator: In 1931 the Journal printed Hurston's one-hundred-page article, "Hoodoo in America, " which began cementing her as the American authority on the topic. Tiffany Ruby Patterson, Historian: As anthropology evolved, this data was then used to show the opposite, to show that Black people, White people, Indians were human beings with brains, eyes, ears and nose and all of that in the same place with the same capacity. Lee D. Baker, Anthropologist: Zora Neale Hurston was excited to study anthropology at Columbia because so much of American society and the media did not value African American culture. Tiffany Patterson, Historian: Zora was nosy, pure and simple. Whether it's a juke joint or a turpentine camp or a lumber mill or a hoodoo initiation ritual, she's taking you as a reader into a society that she as a scientist is desperately trying to understand. You can see her as a vivid participant observer.
I was shifted from house to house of relatives and friends and found comfort nowhere. Income from periodic writings never secured her enough money on which to live. One very positive review must have warmed Hurston's heart: "The judges who select the recipients of Guggenheim fellowships honored themselves and the purpose of the foundation they serve when they subsidized Zora Hurston's visit to Haiti. Hurston vowed at her first college assembly in 1919, "I swear to you that I shall never make you ashamed of me. " Her latest travels were to facilitate the work of two white folklorists recording Negro folk songs for the Library of Congress, but it wasn't easy.
She mixed memory, history, personal experience, fiction, and research into a story told through the eyes of a southern Black American girl-turned-woman named Janie Crawford, who lives part of her life in Eatonville. Dearest, little mother of the primitive world, take care not to overtire yourself abroad.
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