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We didn't know about "Being disadvantaged". Skeleton faces line the background. Embossed "SHG" on the lower left; Comments/Description: "Emiliano Zapata, after one of his most famous photographic portraits, holding an umbrella instead of a rifle, and naked from the waste down and wearing wooden clogs. A blend of Eastern European religious icon in contrast to ancient Aztec anthropological imagery.
On the upper left is a man wearing a suit with gold pinstripes and circles on the lapels. Gradation of gold/red crosses and abstracted torsos arranged in rows facing upward. Guadalupe's credit card has an apr of 23 juin. One of the prints is in dark green, lavender, and light green, while the other print is deep blue, bright orange, and off-white. Colors are: gold, light brown, dark brown, white, dark blue, aqua blue, ultra blue, brown, yellow orange, majenta, cyan blue, and yellow.
As the conscience of the indivuduals are over looking (sic. Guadalupe Credit Card Has An Apr Of 23 - Cards Info. ) These images form a visual arc or lifeline which flow towards a taiko drum head with rose imprinted on it. "'Dos Caras' is a Mexican pro werstler on 'Luchandon' from 'Lucha Libre'. The image of the cross coming from the head/photograph of Almaraz is combined/appropriated with few symbols from Carlos own iconography, developed with my own treatment and color perception. "
We enjoyed the pool during the hot days and easy access from the freeway. Purple "'Jesus and Mary' is based on a series of pastel drawings on news paper. Comments/Description: Skeletons in rainbow colors playing instruments and celebrating. Edition Number: 4/67, 18/67; prnt: José Alpuche; mtrx:Destroyed; Signed;, Inscription in pencil below image area reads: "Mono / type, 4/67, Spiral y Bonez [sic], Arturo Urista, 93". Lower left corner; Comments/Description: Drawing of a woman with a blue face and short, straight black hair. Guadalupe's credit card has an apr of 23 per. Comments/Description: Full bleed. ', Ashley Cook, '94".
The background is a gradation of violet. Lower left hand corner of image; Comments/Description: "Kitchen interior with taco in foreground, refrigerator, stove, white, window view of the southwest. Ramirez, Julio Cesar "Mi Yo"; Hasta Que Separe; Nov. 6-10, 2001; Coventry Rag, 290 gms. Yellow Green/Trans, 5.
Maybe they will do it again, maybe not. "The young Chicano and young Chicana in this print represent two of many young people who have had enough shit from this gov't (sic. ) Comments/Description: Adult female figure with a skull face wearing a white dress. Embossed "SHG" on the lower left hand corner; Comments/Description: From the right to the left there are: a muscular woman, an american flag, an eagle, and a sunset framed by roses. Center; Comments/Description: "Red Dog in foreground. Colors used: Light Yellow 1205, Charcoal Brown 497, Light Lavender 503, Gray Balck 431, Orange 130, Blue/Gray 5493. Guadalupe's credit card has an apr of 23 months. Also it's home for me growing up in East Los "and once more seing (sic. )" In the lower center of the print there is an African American woman with her child, staring at the viewer.
A small toy hides the preciouse data. "'The Voyage of the Akatsuke Maru' was created in objection to the Japanese Government's insensitive disregard of worldwide concern and outcry over the severe environmental risks of transporting massive amounts of deadly radiotoxic plutonium. Comments/Description: A red dog. Gamboa, Diane; Revelation Revolution; May 14-18, 2002; Coventry Rag, 290 gms. Inscription in pencil in image are reads, "4/72 -Para Karen- Cama Na My Howze TL Yáñez '99". Lopez, Yolanda; "Woman's Work is Never Done" Thank you, Dr. Sandra Hernández and Dr. Finance Charges Flashcards. Nilda Alverio; 1999; Atelier 33; silkscreen; Image size: 18" x 26"; Paper size: 22" x 30 1/4". "; 1994; Image size: 21 1/4" x 24 1/2"; Paper size: 38 1/2" x 29 1/4".
Ancona Ha, Patricia; Night Vision; ca. 28-July 2) 1994; Atelier 24; Coventry Rag 290; Image size: 33 1/2'' x 26"; Paper size: 44" x 30". Indigo Blue, 6, Black, 7. Saint's namesake inspired by her faith | Travel | santafenewmexican.com. In the background there is the Chichen Itza pryamid. Furukawa, Michiko; Obsesión De La Muerte; (Apr) 1994; Atelier 24; Coventry Rag 290 grms; Image size: 18" x 23 1/4"; Paper size: 20" x 26". A rooster standing on a wooden stump is in the lower left hand corner of the image. La Marr, Jean; I Heard the Song of My Grandmothers; (July 23 - Aug. 3) 1990; L. Festival; Westwind (heavyweight); Image size: 35" x 47"; Paper size: 38" x 50".
To Document Self-Help Graphics' contribution to the rise and fall of the influence THE VEX had on the hybrid Punk and New Wave Movement by Chicano Musicians for E. Colors used: Grey (Warm), Orange (Dull), Deep Red (Dull), Burgandy Red (Dark), and Black. Comments/Description: Red landscape view with a multicolored car. Amescua, Michael; Mara'akame; (Jan 10-15) 1988; Atelier 11; Westwinds; Image size: 36" x 24"; Paper size: 40" x 26". Segura, Dan; This Is Pain; (Dec 18-20) 1983; Atelier 2; Artprint 25% Rag; Image size: 17 1/2" x 23"; Paper size: 22" x 34". Larger suites with different bed options are ideal for the whole family to stay together. Like the Civil War its brother against brother. Colors used: Blue blended into White & Yellow, Green Blended into Brown w/ hand painted Red, Opaque Pink, Trans Blue, Trans Yellow/Red, and Lt Grey. Baltazar, Raul and Zack de la Rocha; Culture Of Consumption; (Jun 21-25) 1994; Atelier 24; Coventry Rag 290 grm. A. Salazar, Daniel; One Nation Under God; (May 6-9) 1991; Atelier 16; Westwinds (heavyweight); Image size: 24" x 34 1/2"; Paper size: 28" x 38 1/4". Hernandez, Ester; "If This Is Death, I Like It"; Westwinds; Image size: 32'' x 26''; Paper size: 34 3/4'' x 28''. Comments/Description: Colorful cartoon-like figure of a chola with two green reptiles crawling down the side of her face. Limón, Leo; Espíritu De Olvera Street; 1994; Atelier 24; Coventry Rag 290 grms; Image size: 17" x 22 1/2"; Paper size: 17" x 22 1/2". Below text is a red bar with a black cross on either end of the bar.
It is not clear whether the person is a cut out paper or three-dimensional. This man is eager to fight yet there is a sense of gloom. Light Yellow Flesh, 10. Blue, blue green, orange yellow, transp. Comments/Description: Overlaying images and zine articles taken from various publications and flyers from THE VEX from 1980, including THE VEX stage back drop THE VEX HEAD. Teruya, Weston Takeshi; They Mistook the Determination in our Eyes for Hopelessness; August 2, 3, and 6, 2002; Coventry Rag, 290 gms.
She's watching Quetzacoatl's word over-taking the huffing-puffing intervention horses as they approach our templo's in Aztlan movimiento is in the Air, the Sky. It's about poeple who struggle to survive while thier lands are stripped away and her (sic. ) Embossed "SHG" below the image on the lower right; Comments/Description: An arch with three angels in the center. No chop; Fund:partially funded by the California Arts Council and the National Endowment for the Arts.
Hoyes, Bernard; Sanctified Dance; August 14-19, 2001; Coventry Rag, 290 gms. Embossed "SHG" below the image on the bottom left; Comments/Description: A multi-colored abstract image with many faces/masks and a large heart on the left side. Another woman is up front with a flower in her hair and tattoos across her shoulders. Thomas, Matthew; Untitled; (Oct 11-14) 1985; Atelier 6; Accent 290 gram-white; Image size: 21 1/4" x 34 1/4"; Paper size: 21 1/4" x 34 1/4". Real numbers and actually unavailable (sic. ) Colors used: Green - warm-mid, Blue - Light Turq., Brown - Light warm, Magenta, Light Warm Grey, and Black Rain". There is a yellow-orange mass towards the bottom. They become one totality. The background is a prison cell and the foreground is covered in pink flowers. Flowers in pink and red with gold throughout image. The basic demand for community control of the land, which was set forth by our revolutionary predecessors, is still relevant to us today. Lower left; Comments/Description: "Angel under a lurking eye surrounded by clouds and the red ocean. " The upper half has a multi-colored four-chamber heart as the focus. The background is light gray.
Edition Number: 4/65, 42/65, 47/65; prnt: Oscar Duardo; mtrx:Destroyed; Signed;, Inscription in pencil below the image reads: "The Travel Back, 42/65, Arturo Urista, 89" Signed;, Inscription in pencil below image area reads: "4/65, title, signature and 89". Montoya, Delilah; El Guadalupano; 1999; Atelier 33; silkscreen; Image size: 25" x 17 1/4"; Paper size: 30 1/4" x 22". Edition Number: 4/72,? Lower left; Comments/Description: Maria Felix on a red background. Colors used: Clear Base, Ultra Blue, Sienna Flesh, Off White, Yellow Ochre, Red, Black, and Clear Gloss. Home) It's actually very simple, an angel served his time! " Comments/Description: Landscape showing water lilies in bloom with foliage reflected in the water. Four Circular design elements at bottom foreground (Horse, Eagle, Turtle, and Buffalo). Comments/Description: "Fourteen color image of boy (sic. ) "My prints pay homage to the staple diet that nourishes the native peoples of Meso-America.
This is Print A. Guerrero-Cruz. Embossed "SHG" insignia in lower right corner; Comments/Description: The entire print is dominated by the image of a head (skull) in profile. Centered; Comments/Description: Text: Celebrating / Jose Guadalupe Posada/ 150 Anniversary/ Self-Help Graphics/ Day of the Dead/ MMII Border compose of calaveras (skeletons) by Jose Guadalupe Posada. Edition Number: 4/37, 12/37; Signed;, Inscription in pencil below image area reads: "4/37, 'alpha/omega', Christopher [illegible]". Duffy, Ricardo; The New Order; n. ; Atelier 29; Image size: 22" x 16"; Paper size: 26" x 20". The print is part of my ongoing tribute to la Mujer Chicana. " Hamilton, Vijali; Sight One; Feb 23-27, 1987; Atelier 9; Westwinds; Image size: 24 x 36; Paper size: 26 x 40.