Damn Right I Am Somebody (1974). "Black Balloons" is another clever track, stressing the beauty of blackness over a mid-tempo, jazzy groove. Sporting a apocalyptic cover, the music contained within consists of mellow-sounding ballads that nonetheless pack a powerful punch. Chicago's hardest funk outfit, The Southside Movement, went political on its finest album, 'Movin''.
The ferocious wah wah guitars and razor sharp conga fills form the perfect backdrop to Mayfield's brilliant lyrical righteous condemnation of the 'hustlin' man'. So many died that the plant ran out of burial space, forcing it to inter dozens at a local undertaker's farm. It's easy to see why this album is so unknown; it contains virtually no hits and was itself not a charter on the LP lists. "Love Is Life" indeed is a ballad, but it packs a raw punch and does not disturb the non-stop funky momentum generated by the first two blasts of righteous sockin' soul. "They built it to make dynamite — and then that job changed with the war. A deceptively upbeat soul jam, with an urgent message. "Are You Sure" probably is the most confronting piece here, with the Staples' hinting at the Bigger Questions in life over a lazy, country-soul beat, although Pops' own "Who Do You Think You Are (Jesus Christ the Superstar)" - a smouldering, swampy groove that has the group gettin' down in church. If anything, 'Serve 'em' sounds like a urgent call-to-arms, invoking blacks to vote, and, we may well speculate, drive Nixon and the Republicans out off the White House in the '72 Presidential Election. There was a riot goin' on... World War I in Photos: The Western Front, Part I. James T. Ramey, aka Baby Huey, was on his way up in the business when tragedy struck: the larger than life performer died aged 27 in 1970. The entire band can be heard singing the infectious line 'give it up, give it up now... give me my mule! A grueling, draining soundscape hitting it home everywhere. "If possible, [do] not drive anywhere at this point. The mood gets significantly darker with the brutal funk of "Future Shock".
An absolute masterpiece and a must for any serious funk fan. The mellow groove understates the haunting lyrics, biting raps and ghostly chants. "Ghetto Child" is a down to earth narrative on the hardships of being born and raised on the margins of society. Available on First Thangs. In my opinion, "H20gate Blues" is the man's most biting, most vicious and most fonkay sermon: You would have to search the full lyrics to fully grasp the poignancy of this tune, but let me at least mention that Heron gets down hard on Nixon, Spiro Agnew (in fact, the poem is dedicated to the erstwhile VP), Ronald Reagan, Lester Maddox, Strom Thurmond, Haldeman-Ehrlichmann-Mitchell-Dean, Patrick Gray and on the entire Nixon administration, the feds, Republican donkeys, rightwing America as well. Beautifully orchestrated, it encourages self-pride and perseverence. Songs segue into one and another, snippets of dialogue serve as bridges, those ghostly churchy choirs pop up when you least expect it, and the raging voice of Sweetback just keeps on roaring throughout: railing against the police, the bourgeois reggin (reggin - spell it backwards... ) the bloodhounds, the Man, the system, everything... A muddy bass-heavy stew of rock hard guitars and solid, funky drumming. Muddy crossword puzzle clue. "Visions" moves away from the heavy, brooding fonk of "Too High" musically, but this acoustic gem is filled with as much despair over then contemporary society as its predecessing funk bomb. An essential album, and one which really set the standard, in my opinion.
To the point lyrics and a relentless fatback groove ultimately make way for several instrumental segments - during which every Buddy Miles Express-member gets a solo spot -, then segues into a brooding, gospelish lament only to pick up the funky, funky pace again for the coda. Despite that, 'Preacher Man' is a solid, very underappreciated gem of an LP. "Speed Kills" is plain freaky... Gil's monotonously buzzing vocal here blends in perfectly with the slow winding groove. Ray Davis' deep, booming bass recites a spooky, poetic tale of misery and madness, while sinister guitars, marching drums and weeping, shrieking yelps and howls create a very unsettling mood... Both sides are anthemic, chanting sessions ("You can have watergate, just gimme some bucks and I'll be straight! " You can watch for Peregrine Falcons and other birds in the cliffs and count butterflies in the flowers. On its way back to the Via Princessa station in Santa Clarita, the train was halted when floods affected another segment of the track. Completion of the project has been extended to late March because of the weather and site conditions. The final design had six components: Advertisement. Tracks on a muddy road crossword puzzle crosswords. And when the meaty bass of Larry Graham opens the retooled, darker and utterly funky version of "Thank You (Falettin' Me Be Mice Elf Egin)", tellingly retitled "Thank You for Talking to Me Africa", you know you've reached the climax of a once in a lifetime listening experience. One more political tune would be churned out on single - the somewhat lackluster "Reality" from the epynomously titled album that also featured "Funky President" -, but after that, it was DANCE DANCE DANCE... Chocolate City (1975) [Single]. A brooding, sobering lamentation that enhanced the 'Black Aware' image of the movie and soundtrack 'Shaft'.
LP-Tracks: "Victims of the Darkness", " Am I Expecting Too Much", "Soul Sister"*. "Thousands of dollars are spent here every week among tradesmen and at boarding houses. Talking Loud and Saying Nothing (Parts 1 & 2) (1972) [Single]. That's not to say the remainder is lacking. Gil's discography could well be added to this list in its entirety, but for reasons of brevity, allow me to put at least this highly righteous 1972 outing in the mix. A slightly reggae-induced sing-a-long that combines the aesthetics of gospel church choir participation, gritty soul and hypnotizing funk. A car grips the ground with only the bottom portion of four tires, but a tank grips it with dozens of feet of track. 100 Proof (Aged in Soul) - featuring the brilliant lead vocals by Joe Stubbs, brother of Four Tops's frontman Levi - recorded two gritty, funky LPs between 1970-1973, and it's on their second album that we find the heartbreaking, mid-tempo, gospelish dirge "Ghetto Girl". Right On! Classic Political Hard Soul-Funk Albums, Singles & LP-Tracks. But fully 90 percent of the line operatives at the new plant were women, the Virginian-Pilot reported that August. The funk goes even deeper with the rousing "Love Pollution" and climaxes in the sweaty "People, Unite to Save Humanity", a title derived from Jesse Jackson's P. U. S. H. organization. Depressing and uplifting at the same time.
By far The Lost Generation's most political, hard funking tune, and also a Top 40 R&B hit. A busy beater, "Freedom Train" exudes with optimism and joy, with Carr proudly proclaiming that he'll 'never go back there again', e. the days in which the ghost of Jim Crow reigned supreme in Dixieland. Metrolink service in Antelope Valley slowed or canceled after flash floods damage tracks. Detroit's Spinners, headed by fabled vocalist Phillipé Wynn, scored a major hit with this deceptively upbeat, sophisticated sounding soul jam in 1973. Pops Staples' "Tend to Your Own Business" is a great, little funk & soul number, propelled by Pops' famed, heavy reverberated guitar sound. Somewhat similar to the haunting groove of Marvin Gaye's "Inner City Blues", Rawls' raspy voice condemns the 'sweet baby-kissing politicians' who at the same time send those babies' fathers off to the jungles of Vietnam to die.
Working on a Building of Love / Try on My Love for Size (1972) [Single]. Workers are installing two rows of ground anchors reaching deep into the bedrock along a 700-foot-long slope above the tracks, the site of a recurring landslide. Williams once more addresses the issue that seemed to bother him most: hypocrisy, escapism and apathy. The first death occurred on Oct. 2, followed by 36 between Oct. 8 and 14, with 10 dying on Oct. 10 alone. Back to the World (1973). As if still necessary by now, Mayfield delivers the smoking "No Thing on Me (Cocaine Song)", on which he unabashedly and thoroughly distances himself from Superfly and his shady dealings. Tracks on a muddy road crossword. Passing Clouds (1972).
Hitting on the problem of drug abuse, "Great Debate" then turns nightmarish, like a coke trip through a 20th century, urban version of Dante's Inferno. Think People / Don't Make Me Pay for His Mistakes (1971) [Single]. It's rather strange, not to say somewhat disappointing, that this remarkably political album ends with the romantic ballad "I'm Loving You", which really breaks up the coherency of the disc. "This was something that DuPont took to heart even before America entered the war, " Clawson says. Pre-superstardom Parliament was a whole 'nother thang... You Got Me Walking / The Fountain (1972) [Single]. But again, Sly's mumbled lyrics make plain that this, too, is a pretty joyless tale... "Frightened faces to the wall"... Almost a quarter of an hour of musical catharsis in which not only the demons of Vietnam, but those of rioting inner cities are faced as well. Buyer Daniel Caulfield started his search on the James River side of the Peninsula, with his first choice for a large, relatively remote site being 1, 520 acres at Jamestown Island, Thornton says. For aside a stupendous, funkafied cover of Al Green's "Ain't No Fun to Me", the plodding, lazy "Tell Me What It Is", the band's first hit "Can You Get to That" and the intricate tale of lost love "Why", GCS proved to be very politically aware. 'Back to the World', released in 1973, is a brilliant concept album dealing with comin' home from 'Nam, comin' back to the world, comin' back to what should be normality. The first is the mellow, horn heavy "Heaven At Once".
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