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Eventually they were the only major metropolitan newspaper in the US without a crossword puzzle. Digital editor Edouard Reis Carona calls these games 'essential' due to the large number of page views they generate in each edition. Makes a great gift for birthday, St. Patrick's Day, Easter or any special occasion. History repeats itself. Getting a paying relationship with a user allows us over time to expand and let them see all the things The New York Times can von Coelln, Executive Director, Puzzles at The New York Times. We will be discussing the habit loop and how it applies to news products in a webinar on July 7th, make sure to register today. Repeats like a tiktok crossword answer. Puzzles are part of your product experience.
This is reinforced by research The Wall Street Journal conducted as well. However throughout the 1920s and 1930s, The New York Times famously refused to publish a crossword, even running several editorials dismissing the crossword as a passing fad. As former editor John Temple wrote for Nieman Lab: It was always astonishing to me as a newspaper editor how much readers cared about their puzzles…an editor learns pretty quickly that it's the features readers look forward to, the things they anticipate with pleasure, that keep many coming back for Temple, Former Editor at The Washington Post. In the Netherlands, De Limburger (owned by Mediahuis) launched a "Stay Home Quiz" which invited users to follow the quiz live via a video link. With this new marketing push focused on puzzles, The Wall Street Journal was able to see engagement rates grow across the whole product suite. Over the past few months, we have seen puzzles and games grow in importance for many publishers. With the advantage of internet this time, publishers have been creating new types of games catered specifically for their audiences at home. To convert subscribers for this product, they offer a miniature puzzle for free so that readers develop a habit and ultimately decide to upgrade to the full, paid-for puzzle. During our tour of the US earlier this year, we heard from one publisher that they had recently taken out their puzzles from their digital product because readers said they would rather just use a dedicated puzzle app. Repeats like a tiktok crossword puzzle crosswords. That means The Times is able to reach a broader audience with its crossword subscription than it does normally. They've also built out their puzzle offering, adding jigsaw puzzles featuring illustrations from articles. The lockdown was also the reason why The Atlantic created a new feature for their crosswords that allowed 'social play' so that users can play with their friends. This is a key point to clarify; encouraging users to try out puzzles and games doesn't just increase their engagement with those features but also their engagement with the news product as well. How excited will your kids be with this Cuddly Unicorn that repeats back to you what you say??
On our platform, Ouest-France's L'Edition du Soir has seen a significant portion of its page views come from their puzzle and game section recently. Games help build habits and overall engagement. This isn't to say that puzzles and games are only now important; smart publishers have long known this. Kids will love to share the fun with their friends. The care and attention they paid to the crossword experience for their readers stand out, and of course the rest of the edition is great as well! Dating back to just before World War I, Arthur Wynne, editor at The New York World, is credited with creating the crossword. In their "Project Habit", the team mapped out all actions readers can take with the digital products against their impact on retention. How puzzles play an essential role in reader engagement. It grew in popularity, with more and more newspapers creating their own.
Publishers are leaning into this, using puzzles as a strategic tool in habit formation, so join us as we dig further into this trend. As increasing frequency becomes ever more important for publishers, puzzles are able to address two very important aspects of the habit loop: variable reward and investment. L'Edition du Soir was created specifically for readers in the evening, with new, lighter content and a strong game offering. One publisher we see with a strong puzzles experience in their existing digital product is our most recent co-development partner The Telegraph. One such publisher is Ouest-France, which is well known for its digital-only edition with a heavy focus on interactive games. Of course, newspapers can also use their crossword puzzles for true reader engagement: last year a crossword in The New York Times was used to propose (she said yes! We can't expect readers to love products we don't invest in. Repeats like a tik tok crossword. It will fill hours of entertainment with laughs and snuggles with this soft pink and white plush animal. We were surprised to hear this, as in Europe we have seen for years the importance of puzzles for reader engagement.
By investing in your puzzle experience, you can even build out your subscription funnel. The bottom line is that puzzles do play an important role in news products today and need to be carefully considered in product management strategies. The crossword puzzle might be synonymous with newspapers today, but that hasn't always been the case. They revamped their onboarding process to encourage new subscribers to play a puzzle in their first week. Three quizzes were organized, with more than 2, 000 users that followed along live. However from the discussion it became clear that the publisher knew their puzzle offering was subpar and did not always technically work, perhaps a better strategy would have been to improve the experience. The New York Times has been very successful with their standalone crossword subscription offer, with more 500k crossword subscribers. Cuddly Unicorn Speak/Repeat Plush Animal. Interestingly, more than 50% of the crossword subscribers do not have a subscription, digital or print, to the Times itself.
They found that using puzzles increased retention significantly, but less than 1% of the audience had played a puzzle in the past.