Verse C. As collected: Hunt, 3; Bugden, 3; Kinslow 874, 2; Decker, 6, 2; Simms, 3. Today, the melody of "She's Like the Swallow" which Karpeles published in 1934 is marketed, in a variety of settings by composers and performers, like a rare gem. MUNFLA accession 78-0031, Ms. Field Diary No. She climbed up on yonder hill. She's like a swallow that flies so high, She's like the sunshine on lea shores; She loves her lover, but love is no more.
I expect the song came originally from England or Scotland but it was the version in Newfoundland that was rediscovered by one of V-W's fellow folk song collectors. Sharp concluded that one of the hallmarks of a true folksong was that its melody had been shaped by non-harmonic principles. But now apron is to my chin, Acknowledgments. Newfoundlanders Sing! As far as we now know, the first recording of "She's Like the Swallow" was in 1930, the last in 1961. Helmut Kallmann et al., p. 865. Down in the meadow this fair maid went, To give a rose unto her love. Although he devotes a paragraph to a discussion of modal melodies, he presents "The Swallow" without comment. When queried about this, Peacock told Anna Guigné that the verses he sang for Aunt Charlotte were probably from Karpeles, and that he did not know who she meant when she spoke of "that man sings on the radio.
That never runs dry. It has also been arranged for handbells and for concert band. 1 1: Out in the meadow this fair girl went. In it we meet a third person who, upon seeing the young woman has died of a broken heart, confronts her former lover with this news, to which he responds that he's glad to know she "thought so much of me. " She gave him one, she gave him three. Cara Dillon sang She's Like the Swallow in 2002 at the Cambridge Folk Festival. Notes: Noted by Maud Karpeles from Mr John Hunt at Dunville, Placentia Bay, 8 July 1930. For this fair maiden's heart was broke. It was here that the populist mythology of the outport was promoted. This song is from the Canadian Folk Songs for Young Voices Volume 2 - SATB Collection, and Sing with the Symphony Volume 1. It also appeared on choral recordings, the first of which was made in Newfoundland by the CJON Glee Club in 1956 (see also Bell and St. John's).
We've done it both in the key of d major and a major. So, when popular folksong interpreters like Alan Mills and Ed McCurdy embraced Newfoundland as Canada, they turned to Karpeles's collection and began performing "She's Like the Swallow. She's like the sun beaming on the lea shore. TN 1001 (12" 33 1/3 rpm disc). To give a rose unto her love, She gave him one, she gave him three, She gave her heart in company. 38 Mentioning that Peacock had collected two versions in Newfoundland, she suggested that Decker's version "may... [have] been influenced by the frequent broadcast performances which, I understand, the present version of the song [i. e., the one she published in 1934] enjoys. "
Bugden's also suggests this is a song from childhood, in a second letter to the Atlantic Guardian that related his experiences as a boy in Trinity. Known locally as "Newfoundland songs, " it conveyed aspects of an emergent cultural ideology that portrayed a maritime country whose strength came from the idealized society of its outports. 23 Omar Blondahl's 1958 recording — made in St. John's at a time when this Saskatchewan native was Newfoundland's first popular professional folksinger — was the first local commercial recording by a solo folksinger. Like Sharp, she believed that one of the defining characteristics of folksong was modal melody, and "She's Like the Swallow" met this standard.
And she lay down and never once spoke. So does Decker, but Peacock could have been responsible for putting that verse there in her version. Then out of the blue when I was least expecting it a blind woman in Isle aux Morts remembered it just as I was about to leave. This arrangement by David Overton is simple and straightforward offering contrasts between the flowing interludes and the homophonic choruses. Within each syllabus he grouped versions of the ballads he described as "Current in American Tradition" in topical categories. This paper traces the research history of the song, examines the historical and intellectual processes that led to the differences between the song as recovered and the song as published, and seeks to answer these questions: What are the meanings of the song, and how did the preservation process alter them?
C It is out of those roses she made a bed, Until this fair maid's heart was broke. Peacock stated that the song raised "the old problem of whether traditional verse is a democratized form of art poetry once exclusive to a cultivated elite, or whether folk poetry is the inspiration for the cultivated poet. " It was only at this time that Karpeles published her unedited field version of the text to Hunt's 1930 performance, and printed an annotative note. Karan Casey, Seamus Egan, John Doyle & Michael Aharon). Sharp and Karpeles felt that a singer's use of a modal melody was evidence of the old non-harmonic music. I love my love, but love is no more. Verse D. As collected: Hunt, 4, lines 1-3; Kinslow 872, 3; Kinslow 874, 3; Decker, 4. 42nd StreetPDF Download.
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