Discuss the Joshua Fit the Battle of Jericho Lyrics with the community: Citation. Jazz Methods|Transcriptions. The song is believed to have been composed by slaves in the first half of the 19th century. Oxford Pro Musica Singers: Deep River. Spirituals for Young Voices is a collection of fifteen spirituals for solo voice and is suitable for both male and female young voices. Review: For all of those 4 and 5 octave young ringers' choirs who have a difficult time finding fun, playable but interesting music in that octave range your search is over!
BYU Vocal Point & BYU Men's Chorus. 'Feel the Spirit' is a set of seven arrangements of well-known spirituals, first performed in 2001. ", and all 8 tracks from their 1950 Christmas album, with 14 Christmas songs altogether. Shopping Cart: Items. Artist: Arranger: More Info: Voicing: SATB. Use the citation below to add these lyrics to your bibliography: Style: MLA Chicago APA. Band Library Supplies. As of this recording, in 1997, they had been singing as members of the Dallas Metropolitan Chapter of SPEBSQSA for 25 years. No Better Cause: Sanctuary. Joshua fit the Battle of Jericho, Jericho, Jericho. Your second altos will love "Joshua Fit de Battle of Jericho" - they get the melody in the refrain, and lots of low f's during the verses.
Right up to the walls of Jericho. Nearer, My God, to Thee (feat. Songlist: Sing For Joy!, Joshua Fit De Battle Of Jericho, Je Le Vous Dirai! Composer: Purifoy, John. Arranger: Stacey V. Gibbs. A piece may be easy for the strings but difficult for the brass; it may feature a tricky instrumental solo but the other parts may be relatively straight forward. Higginson: The Lord bless you and keep you. Early published versions include some parts in dialect, such as "fit" for "fought". 12116 in 1922 by Paul Robeson (1925), Mahalia Jackson (1958), Clara Ward, Laurie London, Hugh Laurie (2011) and Elvis Presley (1960) among many others. The closing portion of the tune, sung to the words quoted above, is its most memorable portion: the notes plunge emphatically and impart a glorious sense of collapse, of triumph. Some references suggest that it was copyrighted by Jay Roberts in 1865. Sacred Music other than Christmas. Collections: Concerts: Southern Skies.
A driving rhythm coupled with tantalizing harmonies make this male chorus arrangement sound new and captivating. Songlist: my song in the night, create in me a clean heart, oh, yes!, Joshua Fit De Battle Of Jericho, ain't got time to die, little potato, two american folk songs, sourwood mountain, black sheep, the best of rooms, past life melodies, noel avisyen, Witness, pilgrim's chorus, praise to the lord, softly and tenderly. With a mixture of large and small-scale pieces, there's something here for every choir whatever its forces or level of expertise. This item is not eligible for PASS discount. Mark Hayes: 10 Spirituals for Solo Voice - Medium Low. A comprehensive and essential volume for every singer's library. Get your unlimited access PASS! Choirs and listeners alike enjoy this arrangement. Is a blend of recordings issued by Coral and RCA Victor. Trevor Payne's renowned, veteran Choir brings us this moving tribute to the Negro Spiritual. Talk about your men of Saul.
Songlist: Joshua Fit De Battle Of Jericho, Steal Away, I Got A Robe, Sometimes I Feel Like A Motherless Child, Ev'ry Time I Feel the Spirit, Deep River, The Argument, Red Running Rue, To Daffodils, On Himself, Grace-The Clean Platter, The Pie, Harvest In My Crift, Christmas 1666, Whines From The Wood, The Skin, The Barrel Of The Drum, The Two Curved Sticks Of The Drummer, The Gong-Gong. Just imagine over 150 singers in one location, singing their hearts out! As an alternative to having a lovely printed copy sent to you, for this title you can buy it as a DIGITAL DOWNLOAD which you can print out yourself.
Choirs from smaller schools or with limited budgets are often plagued with music of inferior quality and/or lacking in educational value. Christmas, Hanukkah and Easter Choral Music. Please adjust the quantity accordingly if you have more than 50 users. This quiet and gentle setting of "Done Foun' My Los' Sheep" is a showcase for your soprano soloist, with the chorus singing background chords and alleluias throughout.
Great 50s stuff from one of the great vocal quartets! Technique: Mallet, Pl (Pluck). Mary Lynn Lightfoot (editor): Singable Solutions for Smaller Choirs. Audio/Page Samples (if available). If you are looking for quality repertoire to promote and nurture your emerging male chorus, then you have found the right place! Higginson: We Will Remember Them. To complete the album, John Rutter's own Birthday Madrigals - written in 1995 to celebrate George Shearing's 75th birthday - also receives their premiere recording. We like No Better Cause's energy, sweet harmonies and their spirited mix of driving, rhythmic pieces with slower, soulful hymns. Jazz & Misc Fake Books. Clever rhythmic twists, syncopations and sophisticated harmonies make this a rewarding arrangement for better choirs.
The four Massachusetts-born Ames Brothers were the first group to be featured on new Decca subsidiary Coral Records in the late 1940s, scoring their first smash hit with "Sentimental Me"/"Rag Mop" in 1949. For the long-awaited "Praise Him, " conductor Rosalind Hall has assembled an exciting, heartfelt mix of religious texts with a nice set of folk and traditional songs to finish the program. Strong, stirring spirituals and tuneful, jazz-flavored settings of Shakespeare's timeless lyrics are the mouth-watering ingredients of the Cambridge Singers' eagerly-awaited new album Feel the Spirit. Edited by Julius Willams: The Hall Johnson Collection. You will have 14 days to download the file, after which it will no longer be accessible to you online. F = Grade 7 and over. A brief explanation is offered for each of the selections and for the genre as a whole-creating an exceptional resource for worship or recital planning. Orchestral Excerpts. Jericho, the walls come tumbalin' down. This massive collection of vocal solos from the works of Hall Johnson displays his understanding of the spiritual genre, the human voice, and the tonal, harmonic colors that permeate the depth of the African-American musical experience.