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July 20, 2024, 2:21 am
She followed Sharp's example in giving priority to music over text (Wilgus 172). 26 The contour of Mrs. Kinslow's tune resembles that of the tune collected by Karpeles from Hunt, but it differs in two important details — its compass is narrower (an octave, as opposed to ten degrees), and its tonality is major rather than modal. What follows is a list of the verses, with an example of each and references to the texts in which they appear (the complete texts have already been presented individually by singer, above; they are presented together at the end of the article, verse by verse, in Appendix 1, "Field texts compared"): A She's like the swallow that flies so high. Among others that have achieved this status is "She's Like the Swallow. " 4 When Karpeles collected "She's Like the Swallow" in 1930, Newfoundland was a self-governing dominion. A-picking the primrose just as she went, 3 She climbed on yonder hill above. John's, Memorial University of Newfoundland. One of the loveliest songs there is - from Newfoundland, no doubt emigrated from somewhere in UK, I'd say England judging from the words.

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197; Anthropological Series, No. Journal of Canadian Studies 29. Figure Four: Decker's melody as published by Peacock. As a creator / contributor at musicto I'm part of a global creator community that collaborates through music. Public Archives of Nova Scotia, The Helen Creighton Collection, MG1, vol. She's like the river that never runs dry, She's like the sunshine on the lee shore. Bugden follows this with the first half of "F, " making that a continuation of the dialogue between the man and the third person. 27 After Mrs. Kinslow recalled the additional verse, Peacock had a text fuller than the one published by Karpeles in 1934, a point he stressed in the report that he submitted to the Canada Council: "The highlight of my visit to Isle aux Morts was the discovery of the complete version of 'She's Like A Swallow, ' a superb English love-lyric preserved only in Newfoundland" (Peacock 1959). 53 If "A" introduces us to the main character and her state of mind, verse "B" tells us why she is in such a state. New songs that sound as if they've always been here. Today, the melody of "She's Like the Swallow" which Karpeles published in 1934 is marketed, in a variety of settings by composers and performers, like a rare gem. In both of her notes Fowke goes no further than a mention of "unhappy love" (Fowke 1965, 1973). Philadelphia: American Folklore Society. Not only did Decker have one more verse than Kinslow, Peacock made the version still longer by borrowing a verse from Mrs. Walters's "She Died in Love" — verse 5 in the text as he printed it: 5 "When I carried my apron low.

June Tabor sang She's Like the Swallow in 2005 on her Topic CD At the Wood's Heart. Category: Traditional Folk Song - originated from Newfoundland in Canada and has been adopted by many Irish singers due to its strong Celtic flavour. 'Twas down in the meadow this fair maid bent. Awareness and use of the canon continues in Newfoundland's artistic and political circles. He takes a liking for many a one. Artist: Cara Dillon. There were no radios, and phonograph recordings were rare. Publisher: E. C. Schirmer Music Company. Absolutely no trouble to get them to sing, only a little embarrassed for fear their lack of education will make their songs unsuitable "for the likes of me. " Instead, it stands for old world connections. Simple, yet so effective. Popular Music: Style and Identity, ed. Source: Singing Together, Spring 1976, BBC Publications. "Maud Karpeles, Newfoundland, and the Crisis of the Folksong Revival, 1924-1935. "

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The pastoral imagery of its lyric, its simple but memorable modal melody, and its setting by the well-known Vaughan Williams were the major factors that led to its enshrinement as an exemplar of folksong beauty. Although variant melodies have been recorded — along with variant texts — only the original melody published by Karpeles has stirred much interest, probably because it is the only one that has a modal scale. Fairport Convention — She's Like The Swallow lyrics. The published texts of Karpeles and Peacock do not match their own ethnographic evidence — Karpeles edited Hunt's performance, while Peacock edited and rearranged Kinslow's and added a verse to Decker's, which he may have also rearranged. I like these lyrics! A ballad, on the other hand, "recounts a short, usually single-episodic, tale of complication, climax, and resolution" (Renwick 1996b, 57). Maud Karpeles collected She's Like a Swallow from John Hunt of Dunville, Newfoundland, on 8 July 1930 [ VWML RoudFS/S160839] and printed it her 1971 book Folk Songs from Newfoundland. St. John's Extension Choir of Memorial University of Newfoundland. 57-5054 (7" 45 rpm disc). London: n. p. Smallwood, Joseph R., ed. Does verse "C"'s ending, with the broken heart, signify the woman's death?

The first visual memory I have is that of the white upright piano in Singapore, Hell and the Dark Forces lived at the bottom, Heaven and the Angels at the top, they would play battles through my fingers and I was hooked. And as they sat on yonder hill His heart grew hard, so harder still. Like Sharp, Karpeles did not use recording machines, and so we have to take her word that what she published is what Hunt sang. Not until 1971, when Karpeles published the bulk of her collection in Folksongs of Newfoundland, did other references appear. Thanks to Anna Guigné for pointing this out to me. FJ140; VWML RoudFS/S160839; trad. And then this maiden's heart, it did break. Most of them appeared in one or more of the songsters published by St. John's businessman Gerald S. Doyle in 1927, 1940, and 1955. In 1965 Kenneth Peacock published a longer text, set to a very similar melody, in Songs of the Newfoundland Outports. So does Decker, but Peacock could have been responsible for putting that verse there in her version. It reflected a culture that predated post-renaissance Europe when tonal harmony-dominated musical theory developed. Noting "the Swallow simile seems to be found only in Newfoundland, " she pulled together Peacock's and Karpeles's references as evidence that "other verses turn up in various songs" (Fowke 1973, 209). You can learn more about Ian Wong here: About the Curator - Andrew McCluskey. By 1959, when Peacock started his fourth season of collecting, Karpeles's 1934 version of "She's Like the Swallow" was well known to Canadian audiences as a Newfoundland folksong with a beautiful melody.

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Today, the figure is well over 30. She dedicated her 1934 book to him and his wife. 56 If "D" and "F" constitute a bracketed pair, what of "E"? Here's what Ian had to say about the track: "She's Like the Swallow" is a traditional Canadian Folk Song about the loss of a loved one.

Maybe the original version just disappeared from UK. But Peacock clearly shared Emerson's and Karpeles's aesthetic, for once he had found this version of an already canonized gem, he was eager to find others. Grandfather's Clock" - This childhood favorite still delights listeners of all ages.

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Peacock comments on the symbolic import of apron and rose, but chose to imprint his own meaning on the song by tinkering with both sequence (definitely in Kinsella's version, probably in Decker's) and content (in Decker's). From the recording Say Yes To Craic. While the song is now well known as a Newfoundland folksong, its present familiarity is a result of the processes of publication that began with Karpeles's 1934 songbook, augmented by Peacock's 1965 publication of additional verses. Urbana: University of Illinois Press. Traditional Singers and Songs from Ontario. Karpeles, of course, would not have bothered to collect it if she had not believed it was an English folksong. Straight on to her false lover was told. I'm glad, I'm glad, I'm glad, said he, That she had thought so much of me. 51 One frequently noted feature of lyric folksong is the way in which their verses "float, " as it were, in oral tradition, appearing in one song here and a different song some place else. The song was soon to become a favourite for Canadian choral arrangers and composers; by 1981, according to Edith Fowke, at least ten different arrangers had set it (Fowke 1981). 12 Karpeles's aesthetic was shared by Newfoundlanders and Canadians who heard the song. They would play battles through my fingers and I was hooked.

Oh dear that CD is horrifyingly expensive - at least on Amazon. 29 Later that summer, in Parson's Pond, Peacock found another singer who knew the song, Aunt Charlotte Decker. Songs might be heard in various contexts — at formal concerts, for example, or at dedicated house parties often called "times" (similar to the Gaelic "ceilidh") (Wareham). He consulted all of the published collections and many archival collections. Thanks to whoever sang it in that cold climate and kept it alive. Laws, G. Malcolm, Jr. 1957. The following year, I rearranged the SATB version of SSAA, and that version was premiered by Elektra Women's Choir.

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