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It's very rarely just, like, an emotion that's transcendent that way. This feels a lot more uptempo than the majority of the other tracks on this album. They don't get that unpacked for them, so they're just mimicking the image. FRANNIE: I needed it very badly. OPEN MIKE EAGLE: Cause we are used to a society where if you pay a bill for something, you expect it work until you don't pay the bill anymore, and if don't – if it stop working before that, you raise all kind of hell.
Open Mike Eagle doesn't aim to crowd-please with this album, but most people will walk away with at least one slice of the pie chart that the art rapper serves up over songs like Thirsty Ego Raps and A History of Modern Dance. OPEN MIKE EAGLE: Well, that's good, cause I worked on it a lot. So with that song in particular, I'm thinking about relatability, but I'm thinking about it in terms of engaging in small talk with people and relatability as a concept when I'm feeling super weird. And it was the real beef with that website for a minute. I don't get off much on rappers showing they're cultured. And then you go somewhere else and you're like –. I toured with Lizzo for the first time in like 2016 or something like that. I still love him, but he's nowhere near as consistent as anyone else on that list. OPEN MIKE EAGLE: Yeah, it's both sides of the brain. OPEN MIKE EAGLE: Cause that's a damn near insidious term now. But in a way the former kind of semi-invalidates the latter?
He has the same dark sense of humor that I have. It actually sounds like you put a lot of time and thought into your music. I haven't heard every single album from 2014, but from what I HAVE heard, this is definitely one of the best. And I mean, gotta say, it really is a thrill to hear a rapper quote a They Might Be Giants deep cut. Got a pic of you spittin' on some art in my living room. OPEN MIKE EAGLE: You know it's interesting, cause I can say, I think in my position, like I said, cause I think about these things, I have to really evaluate my stuff like that all the time. What album do you think you have listened to the most times in your entire life? Yeah, sucks when people have to put their trauma on display for – to help other people though. I'm so glad this song exists. OPEN MIKE EAGLE: I think it's how it's planned to be.
Nothing knocks or puts a grin on my face. I've been in hoods all my life, all my life, hoods in all kind of different cities. At least you had the filters of you can go, and your people can try and sit and talk with you. Best wrestlers get possessed to do high spots. I know what a hood feels like. OPEN MIKE EAGLE: I was real sad the night we was in Kampala and we had – the guys that we were working with were people in the village that rapped, and they were both – they speak a language called Luganda, and so what we call rapping, they call Luga Flow. 83 people have seen Open Mike Eagle live. I think in a lot of ways that my craft has just been developing kind of naturally over the years. OPEN MIKE EAGLE: In a sense. OPEN MIKE EAGLE: I'm good for those. It just doesn't really stand out that much to me in any way. It sounds like he's describing the process of hooking up with someone from Tinder… The hook is fine.
After checking by our editors, we will add it as the official interpretation of the song! Open Mike Eagle: Cause it's really all about 96, 97, and 95. FRANNIE: Ooh, I thought that's where we were going. Even if it's your dad. The rhyme with divine winos. FRANNIE: So as much as you've been doing this for as long as you have, the availability of rappers, black male rappers, being vulnerable, in a whole bunch of different ways and also just being – having their humanity just out there, and selling a shitload of records, that's a very – a fairly recent development. Best album from each year of your lifetime Music Polls/Games. The juxtaposition between the casual and the cutting-edge on Dark Comedy is riveting, while still retaining an impressive air of accessibility. So I guess my question for that is: how does the audience play into this dynamic that you guys are talking about, this making a choice to vote with your dollar or whatever, but also this whiter mainstream audience that is going to spend more money? I've always worked with kids too. OPEN MIKE EAGLE: The single is "Relatable. Some art in my living room. So once the music is broadcasted outside of our local areas, it broadcasts it into something that was more diverse, and so for us, it all was happening at the same time.
But they don't – I think part of what it is out there too is that it's not like there's that much of an older generation that grew up with rap, to fill in the gaps. Seduced a temptress, threesome with Medusa. This is a high honor. So that's like the opposite of what you're talking about before, just being surprised by the white people trying to reach the black kids. Dark Comedy feels like an ironic look at the person and persona of Open Mike Eagle, with lots of sarcasm, humour, awkwardness and nerdy references, all with the highest possible degree of self-awareness. And then you gotta know how finish a project, and you gotta know how to shop it, and – there's all of this stuff that – it's not included in these narratives. My Phantom verse was rewritten three to five times though. Cause you were asking that question a moment ago, and I was just sitting here thinking, well, we all decided either to take the red pill or the blue pill. You talk about what you're feeling. He fucking slaughtered that last verse too. They deal with that there. It seems like it's harsh on people. I still like that line.
Dudes is wired like that, it's still an all-case buildin'. Rock with a sickle too. I will say this tho: the first few tracks were a lot more enjoyable for me than the remainder of the album. I feel like those are conversations that need to be had, cause people are aspiring to be at this place, and it doesn't seem to be much there in the way of support. And in a way, it's educational. To me it seems like some of the novelty comes from how esoteric his references are.
ALI: Not saying that your other music doesn't sound deliberate. Every line is a really interesting, kind of morbid punchline. Prob'ly shoulda told y'all from the beginning that he wasn't-. There's so much that just lives in our memories or lives on media, but people don't know about it.
All my favorite tunes are from when phones had receivers. What was your initial vision for how this album would sound through the collection of producers from Madlib on "Circuit City" or Diamond D for "I'll Fight You. But there was also around that time – Jurassic 5 was kind of popping, right? Follow, your financial future's finished. I can't tell if he's rapping from the perspective of a phone or a guy who has a weird obsession with technology. I think it should just be what it is. I can do that, but let me do it how I would do it. I feel like there's a metaphor in this song that I'm not reaching. It pretty much sounds like what I would expect to hear if Hannibal Buress himself was actually rapping. In terms of the production, this is definitely one of the more unique tracks. Who knows how much of that actually stuck, but that's what we tried to do, was just leave behind some knowledge and history and context. Anyway, this is a really great song. ALI: – there's no filters!
Does nobody realize how ridiculous that is here, of all places? And how much of it is something that you don't really want to deal with or don't think that needs to be dealt with by you specifically when you're younger? I felt like it was dangerous. I think that white kids don't know that things are fake. Action Bronson collaboration needs to happen at some point if it hasn't already.