Cause you, don't neeeeeed, noboooo-dy eeeeelse! The World is Filled... [Intro: The Notorious B. Breakin' down for lies. After I heard about what the bitch did nigga! I'm not only the client, I'm the player president! Armed and dangerous!
No dough so pop a couple of dough, Lil' Rippsta, nigga mista clean! The World Is Filled... Make it hot Make it hot Make it hot Make it hot The world is filled, with pimps and hoes We'll just talk about those I knows The world is mine, can't you see I'm just trying to be all I can be Oh, yeah Now first come the cash, then come the ass Then come big blunts with big chunks of hash When I score with a whore she be game for sure Pimp so hard, a nigga drag his mink on the floor Won't you admit it? Man listen straight torture! He is... [Puff Daddy:]. Beef is when I see you! The World Is Filled... Lyrics - Notorious B.I.G. ft Diddy & Too Short - Soundtrack Lyrics. And - I give you my hand cause you deserve a pound.
The world is miiine, can't you see? All you heard was: "Poppa don't hit me no more! " Conversations - blunts in rotation. See we date 'em like we hate 'em! Salt'n'Pepa and Heavy D up in the limousine. Boom Bye Bye like Buju I'm crucial. Get a grip motherf*cker! Sexin' me while ya man masturbates! In fear you start to cry, ask: "Why? This album is dedicated... The World Is Filled... Lyrics by Notorious B.I.G. to all the teachers that told me, I'd never amount to nothin'! She wanna be a "Pretty Woman" lovin', a rich man!
Look what that slick shit bought ya. Then stay your ass home (uh! ) Girls pee pee when they see me (uh-huh! ) Up into my bag, cause I gotta get my mask and shells. MC Homicide and DJ Fatal!
High off weed and lots of gin. Niggas wanna stick my for my +C. With the Texas license plate outta state! All this stuff and the streets are a mess. Take a long walk off a short peer bitch! Puffy too short biggie world is filled. Hangin' pictures on my wall. Call the crib, same number same hood. Now I'm Henny'd like a f*ck? There's another he forced tellin me do what l gotta do, So I up my pipe a nigga die tonight - and I'm alwayz waitin for da boys in blue. In the mornin' [beeping]. Told me he was in the gamblin' spot and heard the intricate plot. Wipe the cold out my eye! I got the hookers eatin' out my palm.
Outro: Too $hort (Biggie)]. Go operation just to kick da game! I'm floatin' - to your punk part of town. Thinkin' what this ho said, she called me a: "Thief"! Makes her proud to see her one son get loud. And if you don't know, now you know, nigga. So we tried so hard to understand why you had to go away. Try to take bankrolls... Bum bitches outta here 50, man! So what'cha got to say?
You know they keep plenty hookers! Lyrically, I'm worser! F*ck up the party before it even start! Next two years, I should see about a billion. Puffin' on dime bags and I been told. I don't like the way you been dissin'! Beat stops] [dog's barking]. Beef is when you make your enemies start your Jeep! Girls used to diss me! Dude: Trust no hoes! Stuck quickly for royalties and show money!
We takin' over like Francis (uh! Me feelin' da urge to sperve, When I'm broke as f*cks and givin dat Mossburg, swerve. When I score with a whore she be game for sure. My man Big Jacques - got the glock in his waist and, We're smoking! Navajos creep me in they tee pee! The world is filled biggie lyrics hypnotize. All y'all dissapear by tomorrow! See who's this pagin' me? Uhh, uhh, check it out! Sold out seats to hear Biggie Smalls speak! And the inner dream things ain't always how it seems.
Up in restaurants with mandolins and violins. Get mo' murdered all day, all day. 45; indeed will beam now between da scenes destroy your dreams, You willin' to die we'll see - how many faces when I cause the scene, we mean. Smoking blunts was a daily routine. Bitches in the back looking righteous ("Here we go! What's, what's wrong! When the Remi's in the system - ain't no tellin' (uh-uh!
We used to fuss when the landlord dissed us. The girl would go bake it. Climax that your man can't make, ("Call him, tell him you'll be home real late, now sing the break! I call her back twice. Walked out my door with my Walkman in my pocket. Treat the bitch better than anybody ever treated her! The Notorious B. I. G. :]. Chorus: 'til beat fades out]. Can't we just all get along? Got pay off my flow, rhyme with my own click! The world is filled biggie. No need to ask in the crew!
While I'm doin my time due to circumstance. Like ass when you speak it! Hold on; I hear somebody comin'! Steadily countin' them Benjamins. Went from ten G's for blow to thirty G's a show. Throw bleach in your eye!
That nigga Big got somethin to say? I'm just trying to be all I can beeeeeeeeeeeeeee! In diamond necklasses, stretch Lexuses! } They even heard about the crib you bought your moms.
"Can That Boy Foxtrot". "Ever After" is the bridge between these sections, coming right at the end of the first act, and if you don't pay too much attention to it, it really does seem to be a conclusion of sorts. This title is a cover of Could I Leave You as made famous by Follies (musical). In ''The Little Things You Do Together'' in ''Company, '' Sondheim built a rhyme on pursue, accrue and misconstrue. "Someone to need you too much/someone to know you too well/someone to pull you up short/to put you through hell. " If ever I would leave you. Its sweet waltz-like melody ironically belies the caustic lyrics. Please wait while the player is loading. It's almost subconscious, but if you study music, you must be aware of these things. Tell me, how could I leave when I left long ago, love? This score was originally published in the key of. But because Sondheim is Sondheim, it appears in a moment of deep grief, and it casts this fact as part comfort and part warning. Selected by our editorial team. The agony is at a lower level.
"Could I Leave You? " The photograph captures Sondheim during the rare public moment of a creative process that usually transpires in the privacy of his study, in the ultimate privacy of his mind. Find more information at: Keep up to date with Putting It Together by following its social media channels. Stephen Sondheim Songs from Musicals.
And that's not what I learned from Hammerstein. '' Trinity College London. "Another Hundred People". When he and Perkins wrote the screenplay to the mystery movie ''The Last of Sheila, '' Sondheim catalogued the plot twists on index cards. It's a lot of work for nothing. Could I wave the years away With a quick goodbye?
DIGITAL MEDIUM: Interactive Sheet Music. London College Of Music. This score was first released on Wednesday 8th February, 2017 and was last updated on Wednesday 25th November, 2020. I invite you to hear mine, but to love yours, however you first heard them. Your lips red as flame. On the day of Stephen Sondheim's death, creating a list of his songs you will never stop playing is to invite an argument — and I do. I will always credit my attachment to musical theater in general to those cast albums I listened to as a little kid, long before I knew anything about composers — this one, Annie, A Chorus Line (apparently those themes were also fine? "Getting Married Today, " from Company. Sondheim's creativity is, perhaps more than anything else, a function of the comfort he feels in being an observer in a wide world. And that's like saying I like to write about character. It is not surprising that Sondheim's favorite American musical is ''Porgy and Bess, '' for Gershwin's 1935 work, like many of Sondheim's, stands at the ambiguous crossroads of theater, opera and folk or popular music.
Then, 'Isn't it perfect? I will die on this hill: Few songs have gotten as unfair a deal as "Send In The Clowns. " Woodwind Sheet Music. 'Isn't this' and then I had words like 'rich' and 'bliss. ' Somewhat typical was ''Follies, '' which ran for a year but lost its entire $800, 000 investment. ''He doesn't duplicate himself, does he? '' Average Rating: Rated 4. Please check if transposition is possible before your complete your purchase. Leave the quips with a sting, jokes with a sneer.
What did they think it was? I'm reminded of Oscar Hammerstein turning down 'My Fair Lady' because he said, 'It all takes place in that studio. ' ''With 'Company, ' we were aware we were telling a nonlinear story. Ben about their lackluster marriage. But more than anything, I think of this song as the work of a writer who was incredibly imposing and incredibly exacting, and saw creativity as something wholly absorbing, whether it was the creation of a song or a painting or a hat.