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A. Interlude #1--a brief piece showcasing their trademark harmony vocal style. Can you find the time for blessing? The constantly shifting horn charts here are among the band's most complex; their virtuosity is undeniable, and the sonic texturing is incredibly layered without ever sounding too crowded thanks to the expert mix. Magnetic--this song sounds a bit like "Beat It" (even the video is similar)--whereas the influence of EW&F on Michael Jackson's career had once been huge, now they were chasing his shadow. Discuss the On Your Face Lyrics with the community: Citation. It's a slightly sappy ballad reminiscent of several on the previous album (it was written by Skip Scarborough, also responsible for "I'd Rather Have You" on LDAT), but this one is better in every way.
The rhythm guitars sound good and the repeated title phrase is sung with attitude. Only the overlapping vocal harmonies during the chorus stand out. There are 173 misheard song lyrics for Earth, Wind & Fire on amIright currently. Sadness bears no remedy, for the problems in your life. Things then coalesce into a loose funk rhythm, with one of the group's catchy vocal refrains on top, before the whole thing melts down again in free jazz fashion, before immediately resuming as a much tighter wah-wah groove with a heated trumpet solo and Latin percussion. Examples of such songs are: Let's get away, by Earth Wind & Fire, What's Going On by Marvin Gaye, Family Reunion, etc. You will ask one battle with the serpentine fire. I was privileged to have seen Earth, Wind and Fire at Maurice White's farewell concert in Memphis. Let Your Feelings Show. Love bells were ringing. As you can see, my reviews are getting a little shorter here, because to be frank there's less musically and lyrically to analyze. Say that you're relentless.
Dance, boogie with your dad. Dance, boogie wonderland. It's a stock rhythm used for this kind of ballad, but one I've never liked, and I also find the spoken word break a bit cheezy; the track also goes on for over five minutes without any change. Yearnin' Learnin'--we're back to flawless funk-pop here, at a brisk pace with the horn section on overdrive. The lead vocals throughout this album are really substandard--is that really Philip Bailey on these songs? For a while, to love was all we could do. On Your Face--an uplifting, mid-tempo number that finds a warm groove and settles into it nicely.
As a young man in high school "1977-1979" it was Earth Wind & Fire that kept me reaching and searching for answer's and truth. This is the song that got me into EW&F and it's still among my very favorites. A spoken word verse by Sherry Scott is laid on top of this, with gleaming chimes and other psychedelic touches matching the lyric about prana and nirvana--EW&F's cosmic aspirations begin here. Master told me one day. Dance Boogie Wonderland, Ha! I was just listening to Fantasy that says you will your voices will ring forever! The infusion of soul, jazz, Latin, and native African influences is already present, and gives them an immediately distinctive and original sound.
Our band director had an awesome stereo set up in the band room. I know we can, I know we can. 12. is just a day, livin' games we play... ". Can't Let Go--another sunny, upbeat pop confection; I can't deny the group's continued ability to come up with catchy songs, although the production has too much of a gloss that is in one ear and out the other for like these glide easily by, perhaps too group are content to provide a kind of mindless, pleasantly catchy tune that's easy to bop one's head to, but doesn't have the same emotional effect their earlier work did. Feelin' Blue--a sunny-sounding ballad with a slightly melancholy lyric, this is embellished with a cool bossa-nova beat, pleasing flute accents, and bright synth layering that bursts into a thrilling, jazzy ARP solo during the break. When I see your face like the mornin sun you spark me to shine. Goes back to Jesus...
Only good talkin' love. Bringing life to the kingdom of doing. It also shows them indulging in their progressive side, with extended solos on several tracks and various prog/fusion-oriented material, including the two excellent new epics "Sun Goddess" and "New World Symphony". Moonwalk--somewhere in the middle of the electronic production, I thought I heard an electric guitar part playing a funk rhythm. I listen EWF music since I was in highschool, 35 years ago. 15. for the signs that lead in the right direction, not to heed them is a bad reflection... ". Here With Me||anonymous|. Every Now And Then--this sounds like a zillion other ballads like it during that period--it has the same keyboard sounds, same melody, same draggy rhythm. I often cry cause he passed before I met him and cry cause I feel I may pass before meeting any of them. I think The Serpentine Fire was such a song.
Now a frown will bring your sprits down to the ground. Oh yeah oh yeah oh yeah, oh yeah oh yeah oh yeah. That being said, this studio version pales next to the live version found on the next album--you only know what's missing in this song, until you hear what they did to it on stage. Though many other EWF songs are great the one that says it all as it pertains to Mr. White and the EWF legacy "That's The Way of The World". Ain't it funny that the way you feel.
Where Have All The Flowers Gone--doo-wop inspired cover of a Pete Seeger standard, with thick organ swells and a light wah-wah backing. Maurice and EW&F helped me through some tough times the music the messages. Still listen to this day. Thanks for the Music & Memories! Our feelings show, our luck. My question was who is Lester? The lyric, a plea for escape from a troubled world, matches the dramatic delivery, and various breaks present quick, angular shifts in melody and tempo that keep the listener on their feet--even as the underlying rhythm of the song remains eminently danceable. A. Brazilian Rhyme (Ponta De Areia)--a haunting flute interlude with high-pitched synth layering. I often watch covers on YouTube and it is really funny to see people struggle to sing your songs. I can easily name many more such songs that consist of such messages.
Shining Star--this song is filled with enough hooks for at least a half-dozen hits: the chords, verses, chorus, bridge sections, break, guitar solo, and overall flow are all perfection. He plays freely yet quite melodically, sounding absolutely golden against the uber-exciting groove. Zanzibar--an Edu Lobo cover, this long instrumental is--true to the overall character of the album--very spiritual and relaxed, with light touches of psych applied to its expansive fusion style.