And, of course, despite the solidity of the vocal themes, there just aren't that many memorable moments throughout. Equally impressive is 'Sunburst Finish' (I skip the mediocre power ballad 'Eternal Love' because not even Todd's talent can make it come alive. Chordify for Android. I had hair all over the sink or something... Writer/s: Todd Rundgren. I think I'm going Bald.
This song is from the album "Something/Anything? And that's damn bad; these six pop songs are supposed to be memorable and untrivially written and they're not. Leader and creative soul of the band, young guitar whiz Todd Rundgren, as it seems, was keen on fulfilling that exact dream, and he almost jumps out of his very skin to achieve the goal. Second, there's the melodicity. Get the Android app. I Went to the Mirror - Todd Rundgren. Type the characters from the picture above: Input is case-insensitive. Looks very representative to me), and 'Lemming Song' and 'Wildwood Blues' are fast, effective pieces of boogie, even if the latter is seriously marred by a stupid lengthy chaotic coda. Everybody's Going to Heaven \ King Kong Reggae. Not that you could tell Todd Rundgren's Utopia is a tongue-in-cheek record had you not previously been acquainted with Todd's image and at least some of his preceding work. From the Album Todd Rundgren's Johnson.
U. W. - Wailing Wall. Todd rundgren i went to the mirror lyrics genius. Never the master of hooks, Todd doesn't insert that much of them here either. From the Album Up Against It! All in all, it just goes to show that a bunch of guys with excellent chops and a knack for transforming imagination into weird technical gimmicks can make interesting music even if it's nowhere near memorable. The voice is now one of brutal stupefication. From the Album Hermit Of Mink Hollow. Lyrics Licensed & Provided by LyricFind.
These songs are everything - soft pop, 'power' pop, gospel, R'n'B, blues, hard rock, psychedelia, weirdass experimentation, and even a mock-rock-operetta at the end: a true paradise for the lover of diversity, so it seems. If you are not, please consult the guidelines for sending your comments before doing so. Where Does The Time Go? Only 'Freak Parade' has a goofy, slightly dissonant main vocal theme, but then again, the title says it all - it gotta freak out, and it does. Overture - My Roots. Listen I looked at my ears, I looked real hard at my ears. Todd rundgren i went to the mirror lyrics. How to use Chordify. We don't want no virtuoso instrumental showcasing, and no eighteen minute long epics about finding the four keys to a glass guitar.
I also easily tolerate the crunchy blues-rock of 'Wolfman Jack' (a song that sounds a bit overproduced to me - yeah, I realise it sounds ridiculous when we speak of a one-man band, but this will only help you appreciate the real talents of Todd as a multi-instrumentalist), and 'Song Of The Viking' is kinda catchy, even if its funny bip-boppin' piano rhythm is hardly compatible with a true viking atmosphere (as portrayed in Led Zep's 'No Quarter' and Jethro Tull's 'Broadsword', for instance). Healing Part I. Healing Part II. Two Out Of Three Ain't Bad. I Went To The Mirror Paroles – TODD RUNDGREN – GreatSong. After such an inspiring start, though, things start to move in the hit-and-miss direction - a success here, an embarrassment there, and, while it all lies mostly in the sphere of personal taste, there can hardly be any arguments about the fact that Todd doesn't particularly care about his melodies being memorable - he's more concerned about making them different. Mary and the Holy Ghost. Hellhound On My Trail. For information on reviewing principles, please see the introduction. If this were an album from somebody like Queen, every second number would look like a 'We Will Rock You' clone and the final result would be unlistenable. Tell Me Your Dreams. That sole four-minute song, too, 'Freedom Fighters', is not bad at all, with echoey psychedelic vocals a la Beatles circa mid-Sixties in the verses and a huge booming ELO-ish chorus taking over in an unexpected manner.
But, unlike David Bowie's similar project (Pin Ups), the emphasis is never on 're-inventing' the songs; the emphasis is on performing the songs as close to the originals as 's like an exercise in precision: is it possible to record these covers in a way that'd make them undistinguishable from the originals? When there's not a single hint at a non-generic non-anthemic melody, I at least expect the singer to rise to unprecedented heights, and I guess even Rundgren fanatics would have to admit his aping Stevie Wonder is a bit corny and off the mark. In a voice soaked with euphoria: I went to the mirror this morning. I don't want to get heavy but What am I doing here? Todd rundgren i went to the mirror lyrics.html. The Last Thing You Said. I looked real hard at my ears, I looked at my hair. Year Of Release: 1977.
I presume I should have mentioned that the album (which was originally planned as a double one, to be released under the title Fungo Bat) was supposed to be an even bigger statement than the first one, with the Nazz drawing upon all styles, playing all kinds of instruments, and Todd even learned to read music in order to come up with more complex orchestration. To conclude this rather lengthy review, I'll just state that Something/Anything?