Since the C major and A minor pentatonic scales share the same notes, we can put the two shapes together to create an extended A minor pentatonic scale shape. As you continue studying guitar, you might find that you'd rather use diagrams than tabs, or vice versa. Note that the minor pentatonic scales just move up a half-step at a time. In the key of A minor, these are all the notes of 'A'. Intervals in the Key of B Minor Pentatonic. Abm7 Db7alt GbMaj7 Eb7alt. Keep practicing your scales on a regular basis, and you're sure to improve in your dexterity and strength, plus you'll be training your ears too. Learn How to Improvise using Jam Tracks. I run through exactly what intervals are and cover them in great detail. It is a very straight forward exercise. 💡Tip: You can find a scale by typing in its notes seperated by commas e. g. (C, E, G). From a theoretical point of view, this doesn't make sense.
Besides using scales, we can and should practice using arpeggios. The minor pentatonic scale is a 5 note scale (the word penta being derived from the Greek word for 5), and there are 5 different shapes of the scale – each one built from one of those 5 notes. This is a scale that you will encounter a little later on in your blues guitar playing journey. This is because of the small shift you have to make with your hand on the B string. Then without pausing, work your way back down to the 3rd fret. Hey, how's it going I'm with Guitar Control, bringing you this video lesson with a "Lick in the Key of B". You also don't need to worry too much about these intervals for now. B Minor Blues Scale: B D E F F# A (Scale Formula 1 b3 4 b5 5 b7). This is just one way of getting some very cool sounds out of a ii-V7-I-VI7 progression. I use these to transition between the pentatonic boxes. Do this in a variety of different keys. Memorize each scale based on the Root note. What changes is the starting point.
If you would like a little more information on them at this stage, I would recommend reading my article entitled: An Introduction To Intervals For Guitar Players. Now that you've learned to play the B minor scale in the 7th position using a diagram, we'll look at the same scale using another method of notation. The process may sound quite long winded, but in fact it was a lot of fun.
Again though, stick with it. But listen to these riffs and solos and try to hear the minor pentatonic scale being played. Hopefully this helps to illustrate the potential of the minor pentatonic scale. This is because it connects neatly with the first shape. Hey everyone, I'm approaching music theory from a guitar players perspective and as with most guitar players, I'm able to play the minor pentatonic scale over a I IV V all day and find the result pleasing to the ear. Want More Lesson on Pentatonic Songs. I did this until I was familiar with the different positions of the minor pentatonic scale in these alternate keys.
Justin Guitar, Simplifying Theory, Jazz Guitar Licks, Simplifying Theory, Fret Jam, Guitar Music Theory, Fret Jam, Guitar Music Theory, Guitar Habits, Guitar Music Theory, Justin Guitar, Wikipedia, Complete Guide to Playing Blues Guitar, Fret Jam. I often use this as a warm up exercise to get my fingers moving and to improve my sense of timing and rhythm. This will help you to memorise the different scale shapes in a way that is more applicable to a real world playing or improvising situation. But try the ones I have suggested below. This is what the exercise sounds like, playing 4 notes per click at a tempo of 100 BPM: Like the first exercise, this helps you to consolidate your minor pentatonic scale shapes. When you solo over a chord progression built from these chords, the minor pentatonic scale makes a great choice.
Putting it all together. For more tabs, articles, and playing tips for the Open E tuning on slide guitar, click below…. So jump straight to shape 3 and play the scale in that position. This shape is actually essentially the same as the extended minor scale. And if you would like to further develop your understanding of the minor pentatonic scale, consider joining The Blues Club.
I appreciate that there is a lot of information to take in here. The Lick: I start this lick with a combination of arpeggios. Once you have that nailed, reduce the BPM by a couple of beats and repeat the exercise. Once you have them nailed, you can then start to look at exercises that will help you build your rhythm and technique. This includes Eric Clapton, Stevie Ray Vaughan, Gary Moore, Jimmy Page, Albert King, Peter Green and Jimi Hendrix, amongst countless others. Stick at this level until you can play each note in time. However the clash that occurs between the tonalities is actually a key part of the blues sound. E mp F mp F# mp G mp. This sound can be thought of as an altered sound, from a melodic minor scale a half-step up from the root of the chord V7 chord. Start at a level where you can comfortably play your scales in time. They also put your hand into the best position for when you start to play the blues scale (which adds a number of additional notes to the minor pentatonic scale). In the diagrams below, each dot shows you the note you'll play on a specific fret and string.