KRS was also an MC and graf writer known for battling other residents at the shelter. Ludacris hit his stride in 2001, following his three-times platinum debut LP with the three-times platinum Word of Mouf. Drake was so hot he gave away that year's summer anthem and one of his best songs ever to DJ Khaled ("I'm on One") and it didn't even hurt the quality of his album, Take Care. Delivered By FeedBurner. Please wait a few seconds while we extract the acapella and instrumental. There was one incredibly frustrating thing about Graduation though: the Lil Wayne-assisted "Barry Bonds. " If you see modern-day Melle Mel out in New York City rocking a powder blue tuxedo with long tails and calling himself "Muscle Simmons, " you might not suspect that this is the same dude who rhymed the immortal words "Don't push me, 'cause I'm close to the edge. " Nonetheless, these were incredible songs. These words defined rap's new world order, a cold hard cash philosophy that would prevail through Puffy's "All About the Benjamins" moment and remains unabated in this era of Young Money Cash Money Business. There were no outlandish get-ups or gimmicky routines, just rock hard beats (courtesy of Russell Simmons and Larry Smith, with electric guitars by Eddie Martinez) and rhymes that spoke clearly and distinctly about real life in a way that the new generation of rap fans had never heard blasting out of their radios before. HONORABLE MENTIONS: The Notorious B. G., Nas, Jay Z. He carries himself with a placid demeanor, yet belts R&B slow jams on Instagram Live. He's excited about his life, and wants you to be excited about your life, too.
As a result his lyrical threats hung in the air longer, his jokes hit harder, and generally his turns of phrase became even that much more memorable (and recitable). One cannot understate the importance of this feud in both rappers' success (and ultimate undoing). The LP ultimately went double platinum after selling 586, 000 copies in its opening week. As a result, like when Lil Wayne declared himself better than Jay Z, that perfect rating (especially in the face of, say, The Chronic receiving only 4. He and Doug were "just some men that's on the mic, " but as the song both showed and proved, "when we rock the microphone we rock the mic right. " Also slowing things down, and daring to tread on the dark side, was Redman, who stomped ruggedly through 1994 making it abundantly clear that his blunted funk still made sense in a post-Chronic, post-36 Chambers world.
Rounding out the honorable mentions is Gucci Mane, easily the most prolific artist on this list. The man was an expert at rapping, and he could wow from any angle. "Icy" was a smash, and Jeezy's first true hit, even if Gucci denied him use of it for his Def Jam debut.
Not only was My Turn the most commercially successful rap album of the year, it was the most-consumed album of any genre in 2020. Or maybe it just felt that way because Rakim's otherworldly artistry had taken him to the furthest reaches of the cosmos, where light and sound take longer to reach planet earth and mere mortals can only do their best to play catch up as they follow the leader. So many great voices emerged, saying so many compelling, literally world-changing, genre-shifting things. Hip-hop was going through labor pains. Although the group broke up after appearing in the 1984 movie Beat Street, Kool Moe Dee's career endured until the early '90s, and he never lost his taste for battling. Members of Kool G Rap's lyrical bloodline, both took his gritty style and subject matter, abstracting it, moving off the beat, and even occasionally out of rhyme, to tell their stories in obtuse, noir fragments. Back up north in Shaolin territory, Ghostface Killah scored a victory for the floundering Wu-Tang empire with the release of his classic sophomore album, Supreme Clientele. Instead of imploding within the glass house of his fame (as many thought he would/already had) he furnished his persona with even more honesty and soul-searching to create one of the most vivid portraits of superstardom rap had ever seen.
Assuming Hank would look out for him somewhere down the road, Caz let him study a book of his rhymes before the recording session—indeed, you can hear Hank say "I'm the C-A-S-A-N-O-V-A and the rest is F-L-Y" in the first verse of the record. In 1988, the English expat—who'd achieved notoriety three years prior as a member of Doug E Fresh's Get Fresh Crew, performing raps on the classic 12" "The Show" b/w "La Di Da Di"—released his platinum debut, The Great Adventures of Slick Rick, and vaulted himself to rap's pole position (no Magic City). You can confidently declare the Best Rapper Alive in any given year without having to consider previous decades, the same way you can say LeBron is an MVP even though you've never seen Jerry West play. A-B test TLET against De La Soul Is Dead, or any other contemporary release, at the same volume to hear the difference.
It literally has something for everyone. His music hit a nerve on critical, commercial, and cultural levels, aided by his blonde hair and blue eyes (as he'd soon point out), but an undeniable achievement nonetheless. Consider the urgent tenacity that embellishes All Eyez on Me 's opening lines: "So many battlefield scars while driven in plush cars/This life as a rap star is nothing without heart. " The record featured the group's biggest single, "Dem Boys, " with a high-profile endorsement from P. Diddy. Cam'ron, in the meantime, prepared to follow up his crossover smash Come Home With Me and translate the modest success of the Diplomats to his own solo record. Fans continue to catch on to his 2011 album, XXX, and he keeps slaughtering guest spots. If you're rooting for the rookie of the year or a washed-up veteran experiencing a career resurgence or someone no one has heard of as your favorite, then so be it. Whatever his words lacked in humility they made up for in maturity. Understand the man I am. Savage doesn't try to make the slums seem shiny or the mud look like marble. Drake, meanwhile, had begun to show signs that he was really about to be that successful.
As he told Vanity Fair, "Damn near every song I speak on the police or police brutality. If you popped that junk up in the Bronx you might not live. During a year in which many of us were looking for an escape from reality, Uzi took us on a trip far away from Earth, to a world where life's biggest problems are a little more manageable. But it was Kane's follow-up album, It's a Big Daddy Thing, that cemented his status as a bonafide hip-hop icon. Would he even continue to rap? His humor was still present as he spit the most Kanye line ever: "I'm like the fly Malcolm X, buy any jeans necessary. " Even two decades after the fact, Caz's skills are undeniable. In between he also wrote Purple Haze, as the intro to that album points out. ) "I consider myself a right-now rapper, " Lil Baby recently told The Breakfast Club. As difficult as it was to hear much of a New York influence in his drawling syllables, the rapper had an elastic double-time flow and unquestionably deft rhythmic control that ran circles around the competition; witness his guest spot on 2004's "Look at the Grillz, " which gives co-guest-star Twista a run for his money. Time for everybody to bow down to King Kendrick Lamar (ya bish)! His performance on the record supported this, with a liquid delivery that mirrored the progression of the beat. HONORABLE MENTIONS: Melle Mel, Jimmy Spicer, Rammellzee.
Despite quibbling claims of stolen flows (a kind of borrowing that's both foundational to hip-hop and nodded to in the song's title), "Bodak" is the Cardi show from start to finish. He wasn't floating on meticulous instrumentals with Redman and Method Man on this album, either. Type the characters from the picture above: Input is case-insensitive. CREDENTIALS: The Pinkprint, a stream of remixes and loosies, first female rapper in 56 years to have four No. From the first line of the first verse of the first song ("Last year was about branding, this one's about expanding"), the Buffalo rapper was clear about his intentions. For every pop-centric "Jumbotron Shit Poppin" led by Drake, there is a menacing "Broke Boys" or "More M's" anchored by Savage. I was lucky enough to hear this particular song early. This carried over to the first single for Jay Z's next album, Vol. Even his soul-sampling "Go Crazy" broke through on the East Coast; the rapper managed to summon Jay Z and Fat Joe for verses on the remix. The real change was in Yeezy's now fluent delivery.
Slime Season 3 and Jeffery in particular are compact machines, with so many strange twists and turns jammed into eight or ten track releases, like the exposed motherboard of a pocket-sized device. The jewels he drops about his street tales are only comparable to JAY, Push, and Ross.
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