"Well, wagon trains, I suppose. And when I didn't answer, there were murmurs and then a voice continued, "Mr Newman wanted to thank you for your interest in The Homesman, but he isn't looking for a writer at this time. Jones does not show up until half an hour into the film, and the wagon does not get onto the road for a little while after that. The biggest twist in this story is that *gasp* the "homesman" turns out to be a MAN all along! As the journey progresses, their behaviour changes. And I knew, yes, I could write the hell out of this script, but not if Paul (he was Paul in my mind by this point) wanted THAT to happen! It's hard to imagine anyone volunteering to sit through "Homesman" twice, but it's far from a waste of time. Native Americans appear only once, from a distance, and are quickly paid off with a horse to prevent them slaughtering the whites. Because at that point in this otherwise nicely told tale, the author pulled the rug out from under me. The Homesman is adapted from a novel by Glendon Swarthout. See Also wrote under Glendon Fred Swarthout. Old West shows its female side.
The stories of the women and this journey end up being very powerful. What she hears in response is that she's "plain as an old tin pail. " Perhaps the most distracting device the author used a few times was giving the the protagonists the time to review the history of how they got where they got. They also ate the caveman's scat, keeping the campsite clean. Miss Cuddy (Hilary Swank) proposes to her guest, who calls her too plain and bossy and rejects her. Having not read the novel, the moment came as an enormous surprise, almost shattering the fabric of the film, as harrowing, in its way, of the vision of the mother throwing her baby into the privy hole. Early on, she invites a neighboring homesteader (Evan Jones) over for fried chicken and peach pie. These women just snapped, broke down and became demented. The story not only details the history of each of the four wives and their circumstances, but also the psyche and relationship between the homesman and her helper, with some unexpected twists. When no man volunteers to be a "homesman, " one woman, Mary Bee Cuddy, steps up and volunteers. 70s/80s era Al Pacino and Robert De Niro are her faves.
I loved the twists throughout the story! Both of whom are determined to find the paths, through the prairies plagued by savage Indians, until the easy civilization. The backtrack journey eastward is a descent further into madness; it's where Swarthout shines as a storyteller of the wild west and the dangers crossing it. Like a mountain, he is just waiting out the aeons until you go. In Tommy Lee Jones' odd and affecting Western "The Homesman, " three women who have lost their minds are being transported to an Iowa church - a rugged journey of many weeks across land occupied by Indians and thieves. Here, too, the frontier is the place where civilization goes to die. Briggs is a comic figure in the beginning, a drawling and inappropriately insouciant Walter Brennan-type character, garrulous and careless, demanding Mary Bee buy him a jug of whiskey for the ride. A terrific historical fiction story, that is a real page turner for those who enjoy stories set in the Wild West and a book that I will remember years from now. Michael Kors: Michael Kors promo code First Order: sign up for KORSVIP + Get 10% off.
Jones puts all of those elements on a level playing field. Cuddy will take four insane women to a town at the Iowa-Nebraska border where a minister's wife will see they go back to their families or to an asylum. Heroism as traditionally defined is practiced by women here, though it goes unrewarded to say the least. He's a whiskered, dirty and venal character, very badly in need of redemption. I did continue to read, though, because I just had to know if I'd been really and truly betrayed or if my despair would be ultimately rewarded with some soaring allegorical resolution. The movie follows the book fairly faithfully but I found the book more engrossing. Few will regret having seen "The Homesman, " and yet it's not exactly an enjoyable experience. "Just look at it, " he says stolidly.
Jones' visual style is simple and clean, and cinematographer Rodrigo Prieto finds some gorgeous John Ford touches; people shown in black silhouette through barn doorways, or house doorways, with the vast bright landscape beyond, a clear demarcation between interior and exterior, displaying the individual against the sheer size of the land out there. Get help and learn more about the design. TW: rape – I refer to it here because it's shown in the movie and is central to the plot. See Ratings & Reviews. Having read the book I can say that the film mostly sticks to it faithfully - however, as I really, really didn't enjoy the film and read the book to see if I was missing something vital, that meant I didn't enjoy it much. The Homesman continually confounds expectations. Women being driven mad by women's issues isn't exactly the feminist novel I signed on for. Early on, there is a wonderful scene in which Cuddy has dinner with (she thinks) a potential suitor. There are strangely picturesque interludes in which we see the disturbed women bathing in the river or combing their hair, looking like Victorian gentlewomen on leave from Picnic at Hanging Rock.
Due to deaths, disease and the brutality of frontier life, the women have lost their sanity. The only difference between this and the old style westerns is that this features women who aren't whores. The story definitely makes you think about how hard life could be in rural America in the 1800s for the thousands of homesteaders trying to grab their pieces of the American Dream. The technical aspects of the film, though muted, are quite excellent. When he first appears on the flat, hard prairie of 1850s Nebraska, he looks like a drifting range of New Mexico's Sangre de Cristo Mountains.
Hard working and bound to live a life on her own, she finds herself in difficulty from the loneliness it brings. We plunge the depths of despair by seeing the true natures of their hardship, all of which are stemmed from the mistreatment from men. Instead, he gives them a sense of mystery. He directed the film, co-stars in it with Hilary Swank, and helped adapt the script for it from a 1988 novel, so he knows what it is. 1 a week for the first 4 cost $4. Then he reveals hints of a buried compassion for women. I only know that they had become tame around cavemen because the cavemen would throw out their left over meat bones, which the wolves would devour. The situation is not "either/or". And indeed, we are only human in the end and we can only take so much. TERMS AND CONDITIONS. Grace Gummer stands out as the young wife Arabella who loses it after her child dies of diphtheria.
At first wary with one another, and at some moments damn near confrontational, Briggs and Mary Bee find that they are good partners, tag-teaming the job, and talking at night over the crackling fire as the three women lie tied up to the wagon wheels, asleep or in a daze. You can barely survive watching the movie, so you're right in there with how the characters feel. Bullets and tobacco, maybe, but no whiskey. It asks questions about what strength looks like (in men and in women), and also what strength might actually mean, what it signifies. At times, it seems like a conventional Western, with marauding Indians, fist fights, fire and gun play. She is unmarried and farms the land herself. Don't want to spoil the book for anyone, so will just say that, unfortunately, one of the two major protagonists acted in ways very inconsistent with the author's development of the character. Director Jones should not have put actor Jones front and center in a movie that is purportedly about pioneer women. 50 Stars (Rnd ⬆️) — Well written Westerns are always tales I find enjoyable thanks to the setting, the vernacular and the clandestine nature of each unique town and tale.
There were several times where I caught myself almost looking away, and thinking did you really have to show that? George Briggs: a self-described man of 'low character', chronic battler of catarrh, "hawking and spitting and cursing, " unapologetic claim-jumper, ex-Indian fighter, untrustworthy, "conniving but no murderer" (by Mary Bee's estimation). If it is a story of Briggs and redemption, it is unsatisfying since he is ultimately little changed. The ensemble cast does a terrific job of depicting the support characters of husbands, the three insane women, Indians and prairie bandits. Jones has trodden this pioneer territory before; his critically lauded film The Three Burials of Melquiades Estrada also took a critical look at the western myth, on that occasion through the prism of border control and illegal immigration. Nothing was learned, nothing changed.
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