So even though they knew I worked, and they knew that I was a writer, it hadn't cost them in any way. It is about figuring out what the point is. You got mail script. " Something like that. A., and then if you were interested in medicine, you were supposed to marry a doctor. Nora Ephron: I was very lucky because I was a writer, but if you're a lawyer or a doctor or you work in a factory, you have hours, you don't have freedom.
What about teachers? You seem to be attracted to marrying men who write. I had an absolutely clear sense of it, even at the age of four or five, and one of my earliest memories is that I was now in California. Ephron of you got mail crossword clue. But he fooled them and switched out of it, but the point is you still hear stories like that, stories from people like Mario Cuomo, or Ruth Bader Ginsburg, who couldn't get a job after she graduated from law school.
It's very empowering to get the message that someday you can laugh at this and make copy out of it. At the same time, if you are in a section of the movie that is about whatever it is about, that section of the movie had better be about that thing or else it too… et cetera. I went on class trips. Nora Ephron: Crazy drunk. Can you talk about what it is? That's how it worked in those days. You've got mail co screenwriter ephron crossword. One is the movie business, which is very much driven by the young male audience that goes to the movies. Stop being a victim. Here again, you seem to be taking something almost taboo — a woman's aging — and turning it upside-down and making it very, very funny and cathartic, at least for your readers. Nora Ephron: It was called "something to fall back on. " Suddenly, they're all wearing the same thing suddenly, and reading the same books suddenly, and thinking about the same philosophical question suddenly. How can I ever get out of this place and get back to where I truly belong? "
Nora Ephron: Well thank you, darling. Tom and Meg had already done a movie together, and it had been a big flop, Joe Versus the Volcano. Nora Ephron: I was born in New York, and I was really happy for the first four years of my life, and then my parents moved to California, and as far as I was concerned, my life was over, ruined. Most people, you don't expect, when you have a piece in Vogue, to have a huge — you know, people don't buy Vogue necessarily for the articles, but this was an issue all my friends read, and a lot of people said, "Oh, that was really funny, " and I thought, "Oh, I see. They were very much in the movie business. Turn it into something. It's one of the sad things. That's where you wanted to end up if you were a journalist. You get through that, and then you write it. So I applied to all of them. And I said, "What? " The men wrote these stories and then the women checked them. They don't fire you.
I wanted to be a journalist. I cared less, but I thought, "Well, I'll do this. So imagine what that is to a child. Nora Ephron: He was very irritated by the book and the movie, by both things, and I think secretly thrilled, because he could now be the victim.
But you know, I didn't have a sense of them as much as writers as I did as screenwriters. I think that there are many kids who are not writers. My mother was almost the only working woman that anyone knew in Beverly Hills, until at one point one of my friends moved to Beverly Hills and her mother worked, but her mother had to work because she was divorced. I'll write this, and then they'll see I can write for them, and then I won't have to write about fashion anymore, " and I never did. Nora Ephron: I don't have any memory of telling my parents I wanted to be a journalist, but they would have been completely happy about it.
I think it was one of your sisters who described the family dinner table as like the Algonquin Round Table. So I was very lucky in that way. I wrote quite a few before one got made. They were very active in the Screenwriters Guild, and every so often we got to go to the set and meet somebody who was in one of their movies. It didn't really cross my mind that someday I would actually think of myself as a writer, but I wanted to be a journalist, and there was a lot of journalism in New York. He and I are one generation different, not in our ages, but in our parents' experience. It was time for me to do this, and I thought, "We have a good support system in place. It's just an unbelievable lesson in terms of how to live your life, especially if you're a woman.
Then he did what most journalism teachers do, which is that he dictated a set of facts to us, and then we were all meant to write the lead that was supposed to have "who, what, where, why, when, and how" in it. What was the reaction to Heartburn? But it's a big deal that they were writers. And unlike my experience with my children, where if I asked them what they had done that day and they said, "Nothing, " I was kind of — that was the end of that.
That is one of the most important lessons of "everything is copy, " is you must not be the victim of what happens to you. Shortly after that, you did get your first job in journalism. Had I said I want to be a lawyer, that probably would have been okay, too. Nora Ephron: No, no. Nora Ephron: It was the tail end of it.
I was pregnant, and my husband had fallen in love with this extremely tall woman who was married to the British ambassador, and it was very painful and horrible at the time. Can you tell us about your desire to be a writer in New York? Wellesley was one of the best places you could go to, and most of the very bright women in the United States went to Wellesley or Radcliffe or Stanford. As it turned out, Alice and I went to Oklahoma together, but what was great was that we worked together and had a huge amount of fun doing it. It was an unbelievable experience, and the actors were fantastic. A., and he became a writer. What are the differences between directing your own writing, and writing for projects that you don't direct? It is still not great, but it's improved, and it will continue to improve. She wrote this book! " Nora Ephron: It was a great job. I always worry I didn't teach it well enough to my own kids, because I was such a good mother. So I started writing a novel that became Heartburn, and that was the thinly disguised version of the end of that marriage.