I hunt mostly public land, which presents two challenges. This is a bit earlier than we would expect so we will see if the rut is earlier than usual. The reason is that I don't think mature bucks can't tell the difference between the off-season and hunting season. When it comes to putting out trail cameras, I always start a little earlier than most people. How, by checking out an SD card from a highly strategic trail cam locations, to reveal the annual gifts of Autumn in the form of giant buck pictures! These intersections are great places to position trail cameras for scouting. Winter weather in my home state of Pennsylvania is often less than ideal for spending time outdoors. I tend to mount my cameras 7-8 feet off the ground, tilting them downward. We also know most big bucks are reluctant to enter large food plots until after dark. That said, take care when positioning your trail cam to make as little disturbance as possible.
For humans, hunting over bait is one of the easiest methods (albeit unethical & illegal in most places) why should it be any different for a mountain lion or coyote? After examining all these data, I have all the information I need to plan my moves next season. And when that happens, I start to question myself. See the photo below! Big Whitetail Bucks. Trail cameras catch the darndest things sometimes. If not, please skip down to "Scouting terrain features with maps".
That is exactly why that deer was around. Where do you place your trail cams? Working A Scrape A hunter near Fort Benning, Georgia set his camera near a scrape last October and got this photo of a good buck working licking branches above it. Additionally, once the mineral site is well established, I would look for lesser used trails which parallel the main trails leading to your mineral sites.
Incidentally, I would suggest using a no-glow, completely invisible camera in this circumstance. I personally use no-glow or blackout trail cams only. Since then, I've learned it's critical to have scent-free boots and clothing when mounting or checking cameras. And when Mr. Big shows up, a trail cam array can help your set up a strategy to puts you in a better positon to harvest that buck. Refund/Return Policy. There are numerous options, but Google Maps is definitely one you'll want to consider. In feeding areas, I use bait in front of my cameras (legal here) in order to concentrate the deer for a quick inventory. We offer first class bow/gun whitetail deer hunts on low pressure properties in Muskingum County Ohio.
Steven Wilson captured this nice 10 pointer posing for the camera on his property. There is something about the scene of a large racked, heavy-necked buck stretching to a licking branch during late October that keeps us motivated to hunt through cold, slow mornings, hoping for the one magical moment when everything changes. "I tend to go overboard on keeping scent to a minimum while setting and checking. This is a conversation that we need to have. Video mode helps you not only age the buck and gauge what caliber deer you have around, it can also tell you how a buck is traveling to and from the scrape. Put the odds in your favor. Do your trail cam locations stack up? Again, in these places I get more daytime photos and am able to set up a game plan to hunt. For many bucks, this shrinks even more as they age. Have you checked out the 5 year warranty provided by Exodus Trail Cams?
Failing to adhere to this strategy was a serious mistake on my part in the early days of using cameras. I use my cell cameras mainly to tell me when it is time to go refill the feed. Deer create and use these as signposts for communication, leaving a chemical signature by rubbing their foreheads on the branches and urinating on the ground below. Droptine Buck It was 56 degrees at almost 5 p. m. when this Moultrie trail camera image was made near Blue Springs, Missouri. These two stealth cams are not the highest quality but the batteries have lasted and they take great day time footage. If I need confirmation of my assumptions once fall returns, I'll often place trail-cameras closer to where I think a buck is bedding and tighten the radius of cameras around him to narrow his bedding and travel routes. If all of this photo sifting and sorting sounds a little overwhelming, know that there are cloud-based software tools that you can use to assist in organizing your data and images (or you can go old school and keep folders on your computer). When autocomplete results are available use up and down arrows to review and enter to select. Some of the best sign and bedding areas are off the road a good bit, but may be closer than you think. There are new guidelines out now for the Boone and Crockett club that you cannot use a cell camera to help you kill a buck that meets their scoring requirements if you want it entered in the record books.
Let's be honest, the anticipation of pulling trail cameras close to the rut is a feeling unlike any other. Do I need to move my cameras? The real bonus that comes from using advanced trail cam location strategies, is that the impact of using trail cams on your land, should go unnoticed by the local deer herd. Put the back of your phone on the trail camera, and you can get a good idea of what your camera will be seeing. Don Higgins of Real World Whitetails has been known to do something similar with a piece of thick rope. Ridge lines and intersecting logging roads are obvious scrape locations for mature bucks. I will then lock onto good scrapes closer to cover.
A solid daylight trail cam check up begins with a quality trail cam company. It's September or October, and that buck is a completely different animal than the one who was practically smiling on your trail camera every night in the summer heat. Here are 4 important tips that will help you improve your ratio: When you allow great bedding and feeding movements to exist for the entire season on the lands that you hunt, you will create an environment that welcomes daytime mature buck movements. Only time and your trail camera picture files will tell. Sometimes a buck will tip his hand early. As I write this, I'm looking at bucks who have made it through the Pennsylvania gun season to get a sense of their behavior from this past season. Knowing this giant Ohio buck with kicker points is living in your hunting woods would keep any sportsmen enthused. Closely examine the area. If you have any more questions or would like to follow along this deer season, I am active on social media: I use the HuntWise App and my username is jrwilliamsjr. Deer love mineral products like trophy rocks and are drawn to them on a regular basis. And, if the storm is really close, the accompanying wind and noise could also hide my comings and goings. He avoided my arrow yet again, but he fell to my buddy's bullet during rifle season.
We have seen over a dozen shooter bucks at multiple locations across the property. You'll be looking for bedding areas, food/water sources and any potential travel corridors which connect these areas. You do not want to face the camera directly across the trail or you will end up getting pictures of just tails or brow tines. Look very closely at the first photo you get in an evening series.
I just slip in there every couple of days at noon to see if the buck is showing daylight activity, and if so, the direction of his approach. As I have learned more and more about deer hunting – and more specifically, buck behavior – it has become clear that it's imperative to determine where bucks are bedding and feeding. The idea here is to sink a portion of a tree or a post affixed with branches to simulate a tree. For example, I had one giant that became daylight-active in late September.
2012 Southern Maine Buck. He had been fully mature back in 2009 when we first started seeing him. Bait sites become ambush sites.
Featuring such beautiful songs as "I Will Never Leave You, " the show follows their progression from England to America, around the vaudeville circuit to Hollywood on the eve of their appearance in the 1932 movie, "Freaks". Marilyn Stasio, Variety. Granted, I never saw the 1997 production, but from the details and clips I've seen here and there, you can tell that though beautiful, it had many flaws. Daisy: Beside you is where I will stay. Philip Chosky Theater, CMU campus, Oakland.
Side Show is their heartwarming search for first love and acceptance amidst the spectacle of fame and scrutiny under the spotlight. Ramoon Maharaj wants his actors, as well as the audience, to confront basic truths about our very human -- and topically relevant -- tendency to pick sides labeled "us" and "them. " The sideshow blues It's all a big commercial; It's a video of a man It's a plot to put an end to my attention span They make up all these issues, I never. Chang and Eng, a musical developed by a Singaporean company, featured a well-developed script based on the lives of the Siamese twins, Chang and Eng Bunker. Source: Author bijolie. However, any duplication, adaptation, arranging and/or transmission of this copyrighted music requires the written consent of the copyright owner(s) and of A. Schroeder International. Props galore enhance the carnival stars' attire and the dancers on stage through Kevin Stanford's artistry. A couple of weeks back, I talked about my love and admiration for Sunset Boulevard. That stretch into the night. And they did not look glamorously happy. I Will Never Leave You Words by BILL RUSSELL.
On Location - Orchestra. But like many of us, Rajendra Ramoon Maharaj has seen the real Hilton sisters, at least on film. The show follows the two sisters -- who're literally joined at the hip -- on their meteoric rise to fame during the 1930s and beyond, tracing their personal and professional lives from circus sideshow freaks to vaudeville headliners, as well as their lifelong search for independence and love. The Interview - Reporters, Daisy, Violet, Terry, Buddy. Cymbal, Triangles (2), Finger Cymbal, Djembe, Bongos, Bell Tree, Crash Cymbals, Wood Blocks (2), Vibraslap, Rainstick, Rattlesnake, Whip, Gran Cassa, Chimes, Bells, Congas, Sleigh Bells, Cowbell, Sandblocks, Anvil, Ratchet, Castanets, Slapstick, Siren, Crotales, African Drums). Sideshow's About to Explode - Jake, Fortune Teller, Terry, Buddy, Daisy, Violet. "A mind is very private, we often meet... ". I Need to Talk to You - Buddy, Terry. Buddy, You're a Wonderful Performer - Violet, Buddy. And I Will Never Leave You, both sung by Violet and Daisy, are show stoppers. Side Show - 2014 Broadway Cast|.
In short, theater is supposed to take you on a journey, one that leaves you feeling a sensation entirely different than when you began to sit in your seat. We′ll be one though we′re two. Buddy, Daisy, and Violet are joined by Ray (a personality-plus tenor with style, Kyle Arrouzet) in a peek-a-boo, choreographed "Stuck with You (Part Two)"a number crowd-pleasingly cute, coy and clever in its designed steps and execution. Calliope on the Midway - Orchestra. Come See a New Land. This title is a cover of I Will Never Leave You as made famous by Side Show (musical). The real stars of Side Show are, of course, Daisy and Violet. You could see the emotional course of the character running through her mind at every moment, and it was truly heartbreaking in the best of ways. Reed 2 (Piccolo, Flute, Clarinet, Penny Whistle/Recorder, Alto Sax, Tenor Sax).
After all, when eight original songs are cut, other numbers are tweaked and moved around, a number of new songs are added, and the storyline is enhanced with more details of the actual events surrounding the twins' lives, the show is no longer the same in many respects. You Deserve a Better Life - Buddy, Terry. Groping my way to an unstated goal. Both Jessica LaFever (Daisy) and Lauren Meyer (Violet) bring all the basic requirements and much more to ensure each anthem sings and soars, each vaudeville number tickles and tingles, and each confession of life-long dream emits genuinely felt empathy and emotion from the watching audience. Daisy & Violet: For I will never. Bows/Scene Change - Orchestra. Very few shows tend to give me that sort of reaction, and the few that do become among my favorites of all time.
We could peek over the sill. Thought that love would lead to passion. As his side kick, Jared Frost, as Buddy, gives a warm, vulnerable performance and it is his human frailty that robs the story of its possible "happy ending". Go through the town with no. Don't let passion rule you.
We Share Everything - Part 2 - Daisy, Violet, Pharoahs. Might as well be The point of animosity Tune in every single week to see A half aborted sideshow freak A half aborted sideshow freak A half aborted. Butte College's production features a set designed by Robert Pickering, lighting designed by Michael Johnson, costumes by Lynne Schuepbach, sound designed by Davin Schreindl, stage manager is Ray Walters, choreography by Melinda Buzan, musical direction by Christine Buckstead, and directed by Butte's Theatre Arts Instructor, Jesse Merz. We Share Everything - Part 1 - Archaeologists. "You're not my mother, you're... ". Daisy: To go through the town with no playmate. Joy is in pain and torment We are different but share the same head Sideshow Maz at it again Sideshow Maz tempted to sin Sideshow Maz never forgets. These are sins I'll be paying for. Jake does accept Terry's invitation to join the girls on tour, and he too finds himself falling in love with Violetsomething he reveals with wide-open eyes showing feeling that clearly has as much depth as the sonorous sounds we hear him sing. Bass (Electric, Acoustic).
They starred in Tod Browning's 1932 classic Freaks. Set in the mid 1850'sthe musical focused on their lives, from their troubled childhood as outcasts, to their journey to New York as exhibits and their settling down with Adelaide and Sallie Yates in North Carolina. You may also like... The Hills Musical Company is renowned for strong ensemble performances and does not disappoint with Side Show, where choreography and choral work gives the show a rousing opening when Scott Nell as Sir, the ringmaster of a human oddities sideshow, introduces the exhibits. In the same key as the original: F, A♭. As stars on the Orpheum Circuit, it seems that Violet and Daisy have everything they ever wanted. Like morning fills with light. Two young men, Terry Connor and Buddy Foster, discover the sisters at the Side Show and decide to bring them to New York on the Vauedville circuit. And I really hope that can happen for whoever reads this, as we all deserve that kind of a theatrical experience. Edward Clark leads the entire company of society's outcasts in a rousing warning to the girls that "the devil you know beats the devil you don't. " Story: Daisy and Violet are the star attraction in a carnival sideshow - singing Siamese twins - with opposing dreams: Daisy seeks a life in the spotlight and Violet wants to settle down in a home with a husband. Violet: What have we done?
Add to all that the chorus boys' and girls' eye-popping and dazzling attire and even the country overalls and ladies' calicoes and straw hats worn by the large cast for the climactic Texas Centennial, and there is no way Ms. Maxham does not deserve major kudos. The one thing they lack, however, is the fulfillment of their hearts' desires. And "Come Look at the Freaks, " along with the addition of some new characters and tunes. I'm Daisy, I'm Violet. From left Alexander Limper as Buddy, Sami Bertola as Violet Hilton, Kaila Davidson as Daisy Hilton, Matthew Stone as Terry. Costumes for Daisy and Violet are the most correct for the period and it seems that it is there that the costume energy was expended. But as a whole, their joined performance was the stuff of emotional, "feels"-provoking legend. They Came to Hear Us Sing - Daisy, Violet, Roustabouts, The Boss, Sheik, Terry, Buddy, Ensemble. Best Actress in a Musical - Emily Skinner. Wedding Processional - Orchestra. Work has us preoccupied.
No Forum Threads Yet Post about this show. Leave Me Alone - Daisy, Violet, Terry. As the story progresses and the girls follow his advice, his attraction to Daisy (and hers, to him) goes from quick cheek pecks to full-on, puckered-lip action (again, mutual). Tango and Proposal - Buddy, Violet. Violet: Closed a door. Ramoon Maharaj's best-known work, meanwhile, might be the award-winning revival of Damn Yankees, which he directed with an all-black cast, the action moved to the Negro Leagues. Dark and relaxing inside.
Paul Rodda as Terry, the self-absorbed entrepreneur, consistently commands the stage. Before going online.