The fundamental assumption of the "Now... It's testimony is powerful but offers no opinions, challenges, disputes, or cross-examinations. The differences between the character of discourse in a print-based culture and in a television- based culture are also evident if one looks at the legal system: in former times, lawyers tended to be well educated, devoted to reason and capable of impressive expositional argument, some attorneys even became folk heroes. Briefly, we may say that the contibution of the telegraph to public discourse was to dignify irrelevance and amplify impotence. Or, as Postman more succinctly puts it: We rarely talk about television, only about what is on television—that is, about its content" (79). Amusing Ourselves to Death: Public Discourse in the Age of Show Business Part 2 Chapter 11 Summary | Course Hero. Any new technology comes with its own agenda. This is the difference between thinking in a word-centered culture and thinking in an image-centered culture.
For one thing, the commercial insists on an unprecedented brevity of expression. It is serious because meaning demands to be understood, thus reading is an intellectual affair that requires rationality. The questions, then, that are never far from the mind of a person who is knowledgeable about technological change are these: Who specifically benefits from the development of a new technology? What is one reason postman believes television is a mythes. We might stop here again to reflect on what is being said. But to what extent has computer technology been an advantage to the masses of people? Adoring of the Golden Calf by Raffaello Sanzio da Urbino.
Today we are inclined to express and accept truth only in the form of numbers, but why don't we use proverbs and parables, like the old Greeks? What does "myth" mean to Barthes? "For the message of television as metaphor is not only that all the world is a stage but that the stage is located in Las Vegas, Nevada. For Postman, Las Vegas is the ideal metaphor for contemporary American culture, and for him, this is a bad thing. The question astonishes them. What is one reason postman believes television is a mythe. Reading was not regarded as an elitist activity, a classless reading culture developed because its center was nowhere and, therefore, everywhere. No previous knowledge is to be required. Postman is willing to concede that the MacNeil-Leher NewsHour is one of the more credible televised news sources because of it renounces visual stimulation for its own sake, consists of extended explanations and in-depth interviews, but he also notes that the program pays the price for this sober format because it is confined to public television stations. In the parlance of the theater, it is known as vaudeville. This is no different from other oral-based societies, and we might observe, it is no different from the way we conduct day-to-day interactions.
Television, after all, sells its time in terms of seconds and minutes. He will think it ridiculous because he assumes you are proposing that something in nature be changed; as if you are suggesting that the sun should rise at 10 AM instead of at 6. Time will prove wether this is true for television, the future may hold surprises for us, therefore we must be careful in praising or condemning. He argues that "TV has accomplished the status of 'myth'". It does make me wonder what Postman would have thought of the world today. Neil Postman’s Amusing Ourselves to Death. Please note: one of the advantages of reading Postman's book is that it provides a sort of brief who's who among critics. Orwell envisioned that government control over printed matter posed a serious threat for Western democracies.
A technology is merely a machine. When a population becomes distracted by trivia, when cultural life is redefined as a perpatual round of entertainments, when serious public conversation becomes a form of baby-talk, when, in short, a people become an audience and their public business a comedy show, then a nation finds itself at risk; culture death is a clear possibility. If we are saying that God cannot be represented in pictographic form, then we are also being told something about the very nature of this God. To ask is to break the spell. What is one reason postman believes television is a myth. Truth would be drowned in a sea of irrelevance. The name we may properly give to an education without prerequisites, perplexity and exposition is entertainment.
The consequences may be that a person who has seen one million TV commercials might well believe that all political problems have fast solutions through simple measures. Consequently, when we see a representation of Rosie the Riveter, what comes to mind are a number of ideas, including everything from American determination as reflected by its citizens during World War II to the ideals and concepts espoused by feminist theory. What is one reason Postman believes television is a myth in current culture. That is, a photograph without its caption can mean any number of things to its viewer; it is only with the caption that the image gains some sense of contextuality and regains its usefulness. He does so by citing eighteenth- and nineteenth-century history, and refers to the influence that both the printing press and the public speaking circuits had. In other words, the manner in which we communicate an idea influences the idea itself. "For no medium is excessively dangerous if its users understand what its dangers are.
1704 the first paid advertisement appeared in an American newspaper, and not until almost a hundred years later were there any serious attempts by advertisers to overcome the lineal, typographic form demanded by publishers. Only those with camera appeal become television newscasters. Speech, of course, is the primal medium. The medium is the metaphor. Course Hero, "Amusing Ourselves to Death: Public Discourse in the Age of Show Business Study Guide, " May 17, 2019, accessed March 10, 2023, Postman's conclusion offers ways for readers to critically examine their use of television and media. It is no accident that the Age of Reason was coexistent with the growth of a print culture. This is a dangerous imbalance, since the greater the wonders of a technology, the greater will be its negative consequences. Indeed, the latter question is more important, precisely because it is asked so infrequently.
Postman concludes with the reflection that Galileo's remark that the language of nature is written in mathematics was a metaphor because Nature does not speak (15). The 1980s seemed to represent a pinnacle for Postman in where culture had been moving for some time. You need only think of the enthusiasms with which most people approach their understanding of computers. Besides, we do not measure a culture by its output of undisguised trivialities but by what it claims as significant. It encourages them to love television. In fact the processes Postman describes in the book have probably sped up dramatically. "The point is that television does not reveal who the best man is.
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