Live Trout: Recorded at the Tampa Blues Fest March 2000, Walter Trout, 2000. Songs Of Dylan: As Performed By Fifteen Great Artists, Various Artists (The Band), 1989. Freedom: Special 20th Anniversary Collection, Various Artists (Moussa Kanoute), 2005. Chimes Of Freedom: The Songs Of Bob Dylan, Various Artists (Maroon 5), 2012. Greatest Hits, The Band, 2000. Something that won't be included on this list, though I like it a lot, is Elvis's 45 second introduction of "I Shall Be Released" for one of his concerts. Check out Rick's version.
It was part of his Live at Sin-é record. H. I Shall Be Released is an excellent song. Elvis' LPs in the later stage of his career where pretty much poor with one or two good song's within, he had gone back to C&W too much! It does mark, however, not only the final public performance by the classic lineup of one of rock's most influential bands, but one of the greatest assemblages of musical talent (and Stratocasters, to boot) on a single stage on a single night, ever. It Must Be A Breakdown, The Grand Poo-Bah Beaner Band, 1976. This version was featured on the duo's 1995 live offering 1200 Curfews, but Amy Ray and Emily Saliers had been paying homage to one of their musical idols by playing the song in concert for years prior.
This song could be either an anti-death penalty composition or a metaphoric attempt by Dylan at looking forward to being released from Hell on Earth – possibly awaiting the "release" from the hell of being an innocent man wrongly imprisoned. It proved to be a top-30 hit for Adele, who used this song to help introduce the world to her immense talent. Pickin' on Dylan, Various Artists (Mike Mullins / David West), 1999. Just crying out that he was framed. I like the way the song is sung because there's intonation and a clear passion there. The RATM version was also featured at the end of the 2010 Will Ferrell-Mark Wahlberg comedy hit The Other Guys. Everyone under the sun has covered this song but the Band's own rendition was released first and is probably the best known version. Nina Simone was born in North Carolina, the sixth child of a Methodist preacher. It is a shame we don't have more, but I love the little bit we do have. It went to number 18 on the US pop chart and remains her highest-charting hit.
Single (I Shall Be Released / Shame), The Lost, 1969. All The Friendly Colours, Hedge & Donna, 1969. A Chapter a Day: The Jacob Miller Song Book, Jacob Miller, 1999. The Essential Bob Dylan, Bob Dylan, 2000. Somewhere so high above this wall. Live from the Florida Keys, John Bartus, 2004. Songs Of Bob Dylan (Sequel label), Various Artists (The Tremeloes), 1993. There's Room for Us, Terrance Simien, 1993. Full disclosure: There have been plenty of strong covers of "Like A Rolling Stone, " but we can't have a list like this list without the Stones doing a song with their name in it.
Starry Eyed and Laughing... Elvis should have done a folk album around the time this was caught on tape. I threw it all away would have been a great Dylan track for Elvis in the seventies. Get Away: Groups & Sessions, Ritchie Blackmore, 2005. These Things Too, Pearls Before Swine, 1969. Clapton, meanwhile, used "Blackie", the legendary black Strat that served as his chief six-string from 1974 through 1985. The singing is too monotonous and well, as much as I do think Joan Baez is a good vocalist, this song really wasn't for her. So, laden with all sorts of instruments, I took the bus from Woodstock to New York City and made my way to the Columbia studios on West 54th Street.
Who donned make-up in the '70s and disappeared into a haze of substance abuse. Rage turned it up to offer a heavy, thunderous approach that was one of the highlights of the band's 2000 album of covers, Renegades. "It Ain't Me Babe" by Johnny Cash and June Carter Cash (1965). My favorite version is by OK Go and Bonerama, but the little snippet that Elvis sings probably has more feeling in it than any other version I have heard, which makes it all the more sad that Elvis didn't record a real proper version of the song. It's a real pity it never happened! Bob Dylan Interpreted, Sound Symposium, 1969. Purchased by the Band guitarist from Norman's Rare Guitars in 1973, the Strat was used by Robertson on multiple Dylan albums (on which the legendary singer/songwriter was backed by the Band), before receiving quite the makeover for the big screen. The pseudonym kept her mother from finding out about her nightly performances in Atlantic City. Ranked by Rolling Stone (opens in new tab) as the 6th greatest song Dylan's ever written, and influential enough that even The Beatles jammed on it (opens in new tab), I Shall Be Released is one of rock's most towering hymnals, an elegant, yearning ballad that calls for the kind of ragged, evening-ending and (let's be honest here) intoxicated group sing-along that it got in The Last Waltz. More than a decade later, Adele would give it a go on her smash debut album, 19, and she did not disappoint. 2 and there is one, which is slightly more famous that appears on the Bootleg Vol. Single (I Shall Be Released / Billy Drake), Bluebird, 1969. I don't think Ricky, Elvis, Lennon, whoever, could do much with this mess!
"Knockin' on Heaven's Door" by Guns N' Roses (1987). Documented by Martin Scorcese and released as the rockumentary The Last Waltz. This is such a beautiful song and it's such a shame that Elvis didn't ever record a proper version of it. Original Album Series, Bette Midler, 2011. Now, yonder stands a man in this lonely crowd. I don't mind that they use electric instruments for this at all because it works with their cover of the song. That's the case with The Band, a legendary outfit itself, releasing its rendition three years before Dylan recorded and unleashed his own. "Make You Feel My Love" by Adele (2008).
One of his better offerings is a version of this Blonde On Blonde classic. This version of the song offers a different sound and you can really put their own tune to the song. Of course, much of it was due to Bob's studio technique at the time: establish a good "feel, " play the song as if you really mean what you're singing about, and get it in one or two takes. "Rainy Day Women #12 & 35" by Tom Petty (1992). "Blowin' in the Wind" by Peter, Paul and Mary (1963). It Ain't Me Babe: Zimmerman Framed: The Songs of Bob Dylan, Various Artists (The Tremeloes), 2001. If this is what writing a song is all about, than who cares who write it. Selections from Across the Great Divide, The Band, 1994.
According to (opens in new tab), Dylan used a '50s-era Strat, while Wood toiled away on one from the late '60s/early '70s. Single (The Weight / I Shall Be Released), The Band, 1968. Walk A Mile In My Shoes: The Essential 70's Masters, Elvis Presley, 1995. Essential Collection, Rick Nelson & the Stone Canyon Band, 2004.
Endless Highway: The Music of the Band, Various Artists (Jack Johnson), 2007. Is a man who says he's not to blame. It would have been a classic! It is one of Dylan's best. Pass The Jar: Live From The Fabulous Fox Theatre In Atlanta, Zac Brown Band, 2010.
From The Band's final performance in 1976. My only real criticism is that the vocals sound too perfected and too monotonous for a song like this. Set at The Band's "farewell concert" of the same name on Thanksgiving Day (November 25), 1976, and directed by Martin Scorsese, The Last Waltz captures one of the most momentous, over-the-top and star-studded concerts in rock music history. Women of the World, Mahotella Queens, 1993. "One More Cup of Coffee" by Robert Plant (2002). "I see my light come shining... " is one of the most famous opening lines in gospel folk rock. Like a Road Leading Home, Sofia Laiti, 2011. Positively 12th and K: A Bob Dylan Tribute, Jackie Greene, Sal Valentino & Friends, 2003. Platinum, The Band, 2007. Another rendition from The 30th Anniversary Concert Celebration.
The Shape I'm In: The Very Best of, The Band, 1999. Could I do it tomorrow, and would I bring my guitar and banjo -- and, oh yeah, how about a bass, too? How Many Roads: Black America Sings Bob Dylan, Various Artists (Freddie Scott), 2010. I initially thought about covering ten, but seeing as I already started this thing with five covers, I choose to continue with five.
The best covers of Bob Dylan songs. Four Decades of Folk Rock, Various Artists (The Band), 2007. Live 1975: The Rolling Thunder Revue: Bootleg Series, Vol. Devotion, Aaron Neville, 2000. The Rainbow Collection, Julie Felix, 2004. The song was the B side to The Weight released in 1968. The Basement Tapes, Howard Fishman, 2007.
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